The Champ tells the story of a washed-up boxer who tries to make a comeback while dealing with personal struggles and maintaining a relationship with his young son.
A professional bodyguard is hired to protect a high-profile client from a dangerous threat. As he carries out his duties, he uncovers a web of betrayal and must navigate the complexities of loyalty and love.
Caught (1949) tells the story of a neglected wife who leaves her domineering and emotionally abusive husband. She then falls in love with a self-made millionaire, leading to a series of lies and deceit. As the plot unfolds, secrets are revealed, and the consequences of the characters' actions become increasingly dire.
Minnesota Clay, a blind gunslinger, escapes from jail after being wrongly convicted. He seeks revenge on the corrupt sheriff who framed him and betrayed him. Along the way, he encounters street shootouts, bar shootouts, and a gang of outlaws. With his skills and determination, Minnesota Clay fights for justice and his freedom.
Terror Toons is a horror comedy movie about a killer cartoon that comes to life and terrorizes a group of people. With its over-the-top violence and dark humor, the movie delivers a wild and gory ride.
This is the story of a street dancer, a policeman, and a thief - and the latter two are brothers
In the trembling Russian village of Popoffski, a young woman (Katherine Grant) is wooed by a hopeful lover, the son of a humble pool shark (Stan) right under the very nose of her father. When the man proposes marriage to her the father is happy to let her go, seeing as he has nine other children to worry about. As the couple celebrate their love for one another they are approached by a military officer who threatens to take the woman away to use as a court dancer.
Asleep at the Switch is a 1923 comedy short.
"This film is composed of different and relatively commonplace subjects, but each image is a super-imposition ('double exposure') of two similar shots of the same subject, almost in the same position. The effect is amazing: one's gaze at the image becomes a double gaze, as the two images were made at different times and with slightly different framing. The viewer is engaged in a process of double-vision that returns him to image and subject in a manner more complex, more self-aware, and more temporal than the way most of us view photographs." - Fred Camper
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