Movies and TvShows featuring "deformation" theme.

Batman: The Animated Series follows the caped crusader as he battles organized crime and super-villains in Gotham City. With the help of his loyal sidekick Robin and his trusty butler Alfred, Batman uses his detective skills, martial arts prowess, and high-tech weaponry to protect the city from evil.

The New Batman Adventures follows the crime-fighting adventures of Batman and his allies, including Nightwing, Robin, and Batgirl, as they battle the various villains of Gotham City. Set in the 1990s, the show explores themes of vigilantism, urban decay, and heroism.

Mask is a movie based on the true story of a disfigured teenage boy, Rocky Dennis, who suffers from a rare deformity known as craniodiaphyseal dysplasia. Despite his appearance, Rocky finds inner beauty and develops a strong sense of self. Along the way, he falls in love, becomes a rock star, and faces prejudice and discrimination. The film portrays Rocky's journey of self-discovery, his relationship with his single mother, and his quest for acceptance and dignity.

In Tarantula, a small town in the southwest desert is plagued by a giant tarantula roaming the countryside. The creature was inadvertently created by a scientist's experiment, which caused a tarantula to grow to gigantic proportions. As the town is gripped by fear, a brave sheriff and a courageous newspaper reporter team up to stop the monstrous spider before it destroys everything in its path.

"A vampiric Elf awakens in his eerie dwelling, where the arrival of disturbing figures through a mysterious portal unsettles the atmosphere. An enigmatic and mystical journey into the unknown."

"The Observer's Testimony" is an intense psychological video art piece fundamentally based on Slavoj Žižek's philosophical concept of Parallax. The work utilizes a split-screen format to simultaneously present the transformation of the same clay bust into two contradictory psychological realities: The Left Screen depicts the Hunter's (The Accuser's) hardening into a cold judgment and moral decay, conceptually justified by Murat Kaplan's facial analysis; while the Right Screen reflects the Victim's (The Innocent's) dissolution into helplessness, fear, and ultimate surrender. This organic yet unnatural transformation of the busts places the viewer in the irreducible gap between two contradictory testimonies. The core goal of the work is to demonstrate the impossibility of objective truth by proving that reality is entirely dependent on the observer's subjective point of view.