The origin story of the iconic Captain Nemo: an Indian Prince robbed of his birthright and family, a prisoner of the East India Mercantile Company and a man bent on revenge against the forces that have taken everything from him.
The film deals with the judgment of the so-called "compromised", who integrated the colonial apparatus. At Josina Machel school, in an amphitheater with a full audience and balcony, there is a stage where Samora Machel and the members of the Frelimo political committee are located. He records Samora, an impeccable political actor, sometimes histrionic, in the role that he is attributed as the animator of the scene in the trial.
Hearts and Minds is a documentary that explores the complexities and controversies of the Vietnam War, examining its impact on both soldiers and civilians. Through interviews, archival footage, and powerful imagery, the film raises questions about militarism, morality, and the consequences of war.
North Africa, 1954. The Algerian war of independence begins, a traumatic and extremely violent catastrophe that for eight long years will shake and finally overthrow the foundations of the colonial regime established by France in 1830.
In the 17th century, a Native American tribe's peaceful existence is disrupted by the arrival of European colonizers. A student and teacher clash over cultural assimilation, while a missionary aims to convert the tribe. Amidst the conflict, a wolf is killed and tensions escalate, leading to a tragic murder and the threat of cultural genocide.
In the midst of the first Indochina War in 1954, the 317th platoon of French soldiers find themselves behind enemy lines in the treacherous jungle. As they struggle to survive, tensions rise and comradeship is put to the test.
Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.
Concerning Violence is a documentary film that examines the systematic violence and oppression faced by African nations during the period of colonization. It delves into the impact of imperialism, colonialism, and neo-colonialism on the social, political, and economic structures of these nations. Through archive footage and interviews, the film exposes the struggles, resistance, and fight for independence of these countries.
Chronicle of a Summer is a documentary film that follows the lives of various individuals in France during the summer of 1960. It explores themes of society, working-class struggles, loneliness, and the pursuit of happiness.
She Draws a Circle reflects on the work of generations of women to interrupt cycles of violence and oppression, looking to the ways in which our spiritual connections to the land and one another help us to hold space for regenerative healing, bringing the hidden to light drawing on that light to encircle each successive generation.
The Rumba Kings (2021) is a captivating documentary that delves into the vibrant music scene in Kinshasa, Democratic Republic of the Congo, during the 1950s and 1960s. Through interviews, archival footage, and expert analysis, the film tells the story of how Rumba emerged as a powerful expression of cultural identity and resistance against racism and colonialism. It explores the impact of decolonization on the music industry and highlights the contribution of Congolese musicians in shaping African music history. A must-watch for music enthusiasts and anyone interested in African history and art.
Death Squads: The French School (2003) is a documentary that delves into the history of political repression, state terrorism, and military training in Latin America during the Cold War era. It focuses on the formation and actions of death squads, the French military's role in training Latin American military personnel, and the severe human rights abuses that occurred during this period. The film explores topics such as decolonization, coup d'état, police brutality, and the suppression of political dissent. Through interviews, archival footage, and expert analysis, Death Squads: The French School paints a grim portrait of the institutional brutality and cruelty that characterized this dark period in Latin American history.
This spiritual successor to the 1942 original explores the vibrant yet tumultuous growth of Britishness over the past century. The film gives voices to a new reality of Britain, one that has been formed through the flourishing multiculturalism the country has seen since the original film was made. Academics and artists are interviewed to explore both past and present, and consider what a future Britain may look like.
"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."
Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
Composed of archive images narrated by the writer, anthropologist and linguist Mouloud Mammeri, the film offers a reflection on the anti-colonialist and anti-imperialist struggle movements of the 1970s around the world.
Feature-film director Michel Audiard tackles what he believes to be the mistakenly heroic status given to Charles De Gaulle. In this documentary film, he uses humor, among other things, to demythologize him.
A documentary about stories of personal transformation and healing through yoga in the Queer, Trans, QTPOC communities from the lens of decolonizing yoga.
In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.