Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.
A shift in source material while maintaining the core principles of digital destruction. New footage is subjected to unpredictable degradation—glitches emerge, dissolve, and evolve in a chaotic interplay of color and fragmentation. An exploration of breaking images in unfamiliar ways.
A further mutation of 02.0, pushing its degradation even further. Through repeated data moshing, the original distortions are stretched, broken, and reshaped into something new. Artifacts accumulate, colors bleed, and the footage collapses into an evolving cascade of digital decay—an echo of its former self, yet entirely transformed.
First part of a series of interludes between other projects based purely in experimentation with data moshing, glitching and in general, breaking and corrupting the digital image.
A further iteration of the initial experiment, pushing the limits of data moshing, glitching, and digital corruption. This version refines and distorts the previous interlude, manipulating the raw artifacts to reveal new, unintended patterns within the fractured imagery.
Pegasus viz. incorruptibility undergoes a stress test to prove its name. Will his code of chivalry stand the attempts at corruption? Here we have four situations in which he gets proved. Criminal solicitations interfere digitally in the shape of data moshing. He takes a rough ride onto the mosh pit of the blockchain. Cybercryptocy video art meets classical Greek mythology.
A shift in both format and fragmentation. While previous interludes thrived within the constraints of 4:3, this iteration expands into 16:9—widening the frame but not the control. The extra space becomes a new playground for glitches, distortions, and compression artifacts, stretching and warping in unexpected ways. A continued exploration of digital decay, now with a broader canvas.
A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.
An exploration of fluidity in both motion and corruption. Water, ever-shifting and formless, becomes the guiding concept—its movement echoed in the distortion of the image. Glitches ripple and flow like liquid, blending destruction with an organic, almost natural rhythm. For the first time in the Interludes series, sound emerges: the steady stream of water from a sink, grounding the chaos in something tangible, yet equally transient.
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