Entr'acte (1924) is an avant-garde short film filled with surrealism and comedy. The film takes the audience on a journey through a series of absurd and unexpected events, featuring running after a car, a runaway carriage, a funeral procession, a bearded woman, and a ballet performance. With its experimental and dadaist elements, Entr'acte is a unique cinematic experience.
Weekend is a surreal and avant-garde film that follows a couple's chaotic journey through a violent and anarchistic society. As they encounter various bizarre characters, they witness acts of cruelty, sadism, and graphic violence. The film is a scathing satire on societal norms and a critique of modern civilization.
Ballet Mécanique is an abstract short film featuring avant-garde elements. It explores themes of dadaism, surrealism, and impressionism through the juxtaposition of mechanical and human movements.
Return to Reason is a groundbreaking experimental short film released in 1923. It features abstract visuals, avant-garde techniques, and surrealism. The film showcases various art forms and incorporates elements of carnival-ride, chiaroscuro, silhouette, and extreme close-up.
Anemic Cinema is a 1926 silent film that delves into the surreal and abstract world of avant-garde art. The film explores themes of nihilism and dadaism, taking viewers on a visually captivating journey through a circle of abstract and fragmented imagery. Through its innovative use of typography and rhythmic patterns, Anemic Cinema challenges traditional narrative structures and invites the audience to contemplate the meaning of existence and the role of art in a chaotic world.
Emak-Bakia is a surreal and avant-garde documentary film from 1926. It showcases a series of strange and dreamlike images, including tap-dancing, a smiling globe, a woman's legs, and city lights. The film is part-animated and explores themes of surrealism and Dadaism.
The Short Films of David Lynch is a compilation of Lynch's early work, showcasing his avant-garde and surrealist filmmaking style. The collection includes short films such as 'The Alphabet', 'The Grandmother', and 'Six Men Getting Sick'. These films explore themes of violence, horror, and the subconscious mind.
In the industrial landscape of Russia, a mysterious and violent world unfolds. Through a series of surreal conversations in a bar, an old woman recounts tales of her past as a prostitute and the deaths she has witnessed. The film challenges traditional narrative structure and explores themes of industrialization, postmodernism, and the emptiness of the human experience.
Dreams That Money Can Buy is a surrealistic film that follows the story of a man who discovers he has the ability to enter the dreams of others. As he explores these dreams, he finds himself embarking on a journey through various surreal landscapes and encountering strange and enigmatic characters. The film delves into themes of art, avant-garde, and existentialism, presenting a unique and thought-provoking cinematic experience.
Film Study is a groundbreaking avant-garde short film from 1926 that delves into abstract concepts through mesmerizing visuals. With its focus on the eye and face, this film challenges traditional filmmaking conventions and embraces the dadaist movement of the time.
Ghosts Before Breakfast (1928) is a surreal and avant-garde short film that explores the concept of inanimate objects coming to life. The film features a group of ghosts who disrupt and play with animated objects, creating a whimsical and unusual experience for the audience.
Described as 'a fairytale with its roots in the worlds of dadaism and surrealism'.
Diagonal Symphony is a 1924 avant-garde silent film featuring abstract and surrealistic elements. It is known for its artistic and experimental approach in portraying the symphony of geometric lines and shapes. The film is a manifestation of the Dada and abstract art movements, showcasing the beauty of unconventional visuals and exploring the boundaries of traditional storytelling.
Centered around the emergence of Constructivism, Futurism, Surrealism and Dada, Beyond Cubism takes a closer look at the artists who ignited the new movements and the alterations of artistic culture brought forth by World War II. Creating out of their philosophy and ideology, artists such as Vladimir Tatlin, Barbara Hepworth and Henry Moore pushed sculpture to new limits of abstraction and possibility, feverently building on their predecessors.
The Hearts of Age is a surrealistic avant-garde short film that follows a police officer in a fantasy world filled with bizarre and dream-like imagery.
A multimedia sex-ed video about life and love in a world where humans have corkscrew penises and corkscrew vaginas.
Decasia (2002) is a documentary film that delves into the themes of decay and nihilism. The film utilizes repurposed footage from the archive, creating a surreal and abstract viewing experience. With no dialogue, the film presents a symphony of images depicting the decomposition of nitrate film, accompanied by a haunting musical score. The filmmakers use this unique approach to reflect on the ephemeral nature of existence and the inevitability of decay.
A montage of the skyscrapers of Manhattan opens with a succession of stationary views of the upper portions of numerous buildings. This is followed by a wide variety of fluid shots, which also begin to show more and more of the surrounding city, in addition to the skyscrapers themselves.
Aliyah DaDa is a documentary film that delves into the history and significance of the Dada art movement in Romania, particularly its connection to the Jewish community. The film explores the themes of anti-Semitism, Jewish history, and the impact of the Holocaust on the Jewish diaspora. Through interviews and archival footage, it sheds light on the contributions of Romanian Jews to the Dada movement and their struggles in the face of persecution and displacement.