In Medieval, the movie follows the remarkable journey of Jan Zizka, a Czech aristocrat and warlord in the 15th century. Jan Zizka leads his forces to victories against the Teutonic Order and the Holy Roman Empire, establishing himself as a legendary figure in Czech history.
Czech nobleman Petr Vok of Rozmberk (Milos Kopecký) is no longer so young, but his amatory adventures continue to arouse the envy of men and the indignation of respectable ladies. In his "female retinue" at the chateau in Bechyne he has twelve comely girls, but he still manages to seduce the miller's wife and the maid. Lord Vok is in great financial difficulties. His elder brother Vilém advises him to marry a rich woman. Petr surprises him by announcing his intention to marry the very young Katerina of Ludanice.
A stuffy middle-aged foreigner, a businessman named Fabricius, lonely and looking for a night's diversion, finds it in the form of a mysterious blonde. In an abandoned cemetery, she tells him three tales involving black magic and erotic obsession. In "The Last Golem," a young rabbi struggles to fashion a massive, silent giant out of living clay — until he's distracted by a mute servant girl. In the second episode, "Bread Slippers," an 18th-century countess indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids until a mysterious visitor whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her. And in the final story, "Poisoned Poisoner," a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat '60s Czech pop songs.
In A Night at Karlstein, a 14th-century Bohemian king disguises himself as a bishop to investigate the disappearance of his queen. This campy and humorous film explores themes of gender issues, mistaken identity, and the battle of the sexes.
"Grandmother" is a highly romanticized autobiographical novel by a Czech 19th century writer, Bozena Nemcova. It's a classical, compulsory reading in Czech schools, about a wise, working-class woman, happier in her simplicity and good heart than the nobles whom she serves.
A strange nobleman returning after years abroad to a small Bohemian village in the beginning of 19th century. The nobleman feels closer to animals despite looking like a human.
At the Ronov castle, the archive-keeper professor Nykl (Milos Nedbal) is searching for the lost painting The Naked Shepherdess by the famous Fragonard. Nykl is just about to disassemble the mantelpiece in the knight's hall, convinced that the painting must be hidden somewhere inside. His efforts, however, meet the strong disapproval of the castle manager, Anna Juzová (Jirina Petrovická), who knows very well where The Naked Shepherdess is. She wants to get hold of the painting herself, to emigrate and smuggle it along. In fact, Anna deals with forgeries of the most distinguished old masters, selling them abroad. The copies are made for her by the painter and restorer Maudr (Martin Ruzek) and the certificates of authenticity are issued by Anna's companion - expert Laburda (Karel Höger). One day, Anna is found murdered in front of the castle's fireplace.
Count Frank Kostka, his wife Vivien and their daughter Marie live in their ancestral castle Kostka. They are helped by the housekeeper Mrs. Tichá, the handyman Krása and the Castellan Josef. The original interest of visitors to the castle in the Curse of Comtesse Marie is no longer the same as before, which does not bother Maria at all – at least she has enough time for her Max, a nobleman from the next Castle Hvězda. Frank, however, is at a loss, there is not enough money either for salaries or for the necessary repairs. And just then, Bendy's lawyer's daughter Deniska appears, stirring up the tranquil waters of the ancestral home...
A tale based on novel by Czech writer Bozena Nemcova.