Live and Become tells the story of an Ethiopian boy who is taken to Israel as a refugee during the famine in Ethiopia. To survive, he assumes the identity of a Jewish orphan and faces challenges of adapting to a new culture and dealing with his past traumas.
In DNA, a man discovers a shocking family secret after the death of his grandfather, leading him on a journey of self-discovery and emotional turmoil. As he unravels the truth, he must confront his own past and the complicated dynamics within his family. The film explores themes of loss, identity, and the complex nature of human relationships.
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.
Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development of this film industry, which has always been closely intertwined with the country's tumultuous political history, from the decades-long reign of Reza Shah Pahlevi and his son, the rise of Khomeini and the birth of the Islamic Republic, the seizure by militants of the U.S. Embassy in Tehran, and the devastating war with Iraq.
A making-of of Pina Bausch's ballet piece "Masurca Fogo" (1998), for the EXPO 98, from the first workshop in Lisbon until the avant premiere in Wuppertal, Pina Bausch's city, all moments dated on screen. The ballet master presides behind her work desk to the creation of steps by different dancers, as varied a mix as the African, Latin American, Fado and jazz music to which they swirl, representing the spirit of that world event. Not by chance, the camera shows prominently a photo-book on the gypsies close to Pina's ashtray. The ballet's premiere was in Germany, and the documentary's premiere was at the EXPO 98 in Lisbon.
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