A high-school girl gets involved with a ring of teenage marijuana smokers and starts down the road to ruin. A reporter poses as a soda jerk to infiltrate the gang of teen dope fiends.
Sociology professor Steve MacInter is conducting a survey at Collins College about the mores and lifestyles of the young people. Some of the good citizens begin to find exception to his sociological survey when they find out it includes questions about sex. Reporter Betty Ducayne receives an anonymous tip that the good professor is engaging in corruption of youth and when Steve's past comes up to haunt him, all heck breaks loose.
1952, Paris. Nadia, a Red Diaper baby, has a sister, Polish parents, and at 15 is an active Communist. When cops beat her during an anti-American demonstration, she's rescued by a "Match" photographer. As the friendship becomes a love affair and her slogans are tested by new knowledge and emotion, some of the Red youth want to expel her. When she goes with Stéphane to a seaside photo shoot, her father goes to the police. Stéphane faces charges, so leaving to cover the war in Indochina looks appealing. In a parallel story, Nadia's mother meets again her prewar lover, released from Siberia, who challenges the French Reds with very real scars and word of Stalin's anti-Semitism.
In 'Key to the City,' a small-town mayor falls in love with a Harvard graduate and a whirlwind romance ensues. However, their relationship is put to the test when they have to navigate through political aspirations and a battle of the sexes. With mistaken identities, comedic errors, and a convention in the mix, this romantic comedy promises laughter and charm.
Three teenagers with troubled families are unable to adjust at home and in high-school. Tempted with an easy, carefree life they soon pass from misdemeanors into serious crime - and will suffer for it. Sometimes, repentance comes too late.
The heroine in L'Eau Vive is the unwilling heir to a fortune. Young Hortense (Pascale Audret) has always known that her family was greedy, but until she inherits her father's hidden millions she has no idea how loathsome her relatives could be. Surrounded on all sides by grubby, outstretched hands, Hortense takes some comfort in the fact that her legacy is still missing. When the money is finally recovered, our heroine does the "right thing" with her windfall, leaving her mercenary family empty-handed. Throughout the film, Hortense's dilemma is likened to a government dam project not far from her home; as the bridge grows in size, so too does Hortense's resolve to rise above the nastiness all around her.
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