A hitman working for a secret organization in South Korea decides to quit and live a normal life. However, he soon discovers that leaving the company is not so easy, as his former colleagues start hunting him down. As he tries to survive and protect his loved ones, he becomes entangled in a web of deception, betrayal, and violence.
A man is being chased by the police after causing damage to a car. He goes through various absurd situations and encounters, including a bet, a marriage proposal, and a street parade. The movie follows a nonlinear timeline and showcases social satire.
A man named Kang Jae-hoon, who works for an investment company, suddenly loses everything. While looking for his wife and daughter that disappeared during a trip to Australia, he meets a mysterious woman who may hold the key to his salvation.
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.
Nothing prepared ROD (Ryan Agoncillo ) and MIA ALVAREZ (Judy Ann Santos) for the major changes that took place in their lives. ROD worked as a manager of a bank while MIA opted to remain a housewife taking care of their two children — MIGO and KAYE — with an occasional sideline of selling insurance. MIA gave up her promising career in sales because ROD wanted to be the padre de familia. For ROD, it was the role of the man to provide for his wife and children … in the same manner that there was a clear cut delineation as to what are the duties of a husband from that of the wife.
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