Portrait of Panama Al Brown, a great boxer in the 30's, and its story with France, with a focus on its relationship with Jean Cocteau, surrealist, poet, director, artist.
A man waits for his lover alone at home. When he finally arrives, the story of their relationship is told while the beautiful lover is indifferent to everything he's hearing.
Correspondences are fragments of life seized in the flesh of the great History. The one between Pablo Picasso and Jean Cocteau explores forty-eight years of a complex and tormented artistic friendship. Through their letters, the film unfolds the story of a talent and a genius, a unique story that sweeps across the artistic and political spectrum of fifty years of the twentieth century: cubism, Russian ballets, Guernica, the Occupation and the purge, Dora Maar, Jean Marais, Cocteau's film poetry, Picasso's ceramics and the Mediterranean sky.
“Le Départ d’Eurydice” (1969) is a metaphor of the time, a sort of "documentary allegory" on the 60 s and on its “underground bohemia“. In spite of its impressionist and fragmentary aspect, in a poetic and musical structure, the film includes some narrative elements. A young writer hesitates between the love for his girlfriend and the obedience to the command of the “guru” of an artistic group which requires of him, like pledge of fidelity, to kill his love partner. He executes the Death ritual in front of the sea…but in vain.
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