Irina Palm is a heartwarming film about a middle-aged widow, Maggie, who desperately needs money to pay for her sick grandson's medical treatment. In order to raise the funds, Maggie takes a job as a sex worker at a London sex shop. Despite her initial hesitation and shame, she soon becomes known as 'Irina Palm,' beloved by her clients for her unique approach to pleasure. As time goes on, Maggie must navigate the complexities of her new life while also managing her relationships with her family and the people she has met through her work. The story ultimately explores themes of sacrifice, love, and finding happiness in unexpected places.
First-time director Dirk Shafer also penned this raucous "mockumentary," a blend of fact and fiction that re-creates his 1992 reign as Playgirl magazine's Centerfold of the Year. When Shafer chooses to keep the fact that he's gay a secret from the magazine's editors, he finds himself living the ultimate lie -- and incapable of giving female readers what they really want. Will he succumb to his lover's pressures to come out of the closet?
When his dream of becoming a model is dashed, a pudgy, unattractive everyman takes gruesome revenge on the runway hotties he'd once hoped would be his high-fashion colleagues. Masquerading as a photographer, the humiliated (and mentally unhinged) loser lures his photogenic but vacuous victims into a deadly lair in this campy slasher flick starring Michael Haboush, Kate Crash, Stephen Molinaro and Jason North.
A man wakes up in a Koreatown hallway, naked except for a cock ring and a frilly scarf. Shot in one continuous five-minute take on the Digital Bolex D16 camera, "Coming To" is Happy Canyon Club's Slamdance Grand-Prize-winning short film about picking up the pieces after a meth relapse. It is a story about loneliness, the search for identity, and the difficult choice between safety and happiness.
A West Village dominatrix puts her 400 lb love slave on an S & M Diet and the power of the hidden phallus is revealed. An artifact, a laugh, and an ode by NYC artist Margie Schnibbe.
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