Movies and TvShows featuring "childrens-magazine" theme.

Going Live! was a Saturday morning magazine show, broadcast on BBC1 between 1987 and 1993. It was presented by Phillip Schofield and Sarah Greene. Other presenters included Trevor and Simon, Peter Simon, Emma Forbes, and puppet Gordon the Gopher. The show was broadcast during the autumn to spring seasons, with other shows such as the 8:15 from Manchester and Parallel 9 taking over during the summer months. It was preceded by Saturday Superstore, and succeeded by Live & Kicking. In 1988, when the second series started, Greene was hurt in a helicopter crash with her then boyfriend, Mike Smith. Guest presenters stood in for her including T'Pau's Carol Decker. Similarly, in 1992-93 during the final series, Schofield was starring in Joseph and the Amazing Technicolor Dreamcoat and was unable to present the show. A third presenter took his place. Originally, Neighbours actor Kristian Schmid took the role but soon left after problems with his work permit. Various other celebrities to stand in included Shane Richie and Robbie Williams during his Take That days.

SMTV Live, also stylised as SM:tv LIVE and in early promotional material SMTV://live, is a British Saturday morning children's television programme, first broadcast on ITV on 29 August 1998 and last broadcast on 27 December 2003. On the surface, the programme did not seem to stray away from the format of other Saturday morning output, featuring an audience of children, competitions and cartoons, though it constantly won in ratings battles with the BBC's Live & Kicking and became ITV's most successful children's programme since Tiswas. The major success of SMTV Live has been attributed in equal parts to Ant & Dec's original presenting partnership with Cat Deeley, its use of thinly-veiled comedic innuendo aimed at older viewers, and its broadcast of the Japanese cartoon series Pokémon. At the height of its popularity, SMTV Live regularly attracted 2.5 million viewers. Ant & Dec's company Gallowgate currently owns the rights to the show.

Happiness is a dark comedy drama that delves into the lives of interconnected characters, each struggling to find happiness. It touches on themes of dysfunctional families, relationships, abuse, and pedophilia. Through its episodic structure and ensemble cast, it presents a satirical and thought-provoking take on the pursuit of happiness.

Studio Disney was a live TV show, broadcast on Disney Channel UK. It launched in September 1997 as Disney Channel UK Live, and relaunched as Studio Disney on 23 April 2001. Some of the presenters included; Nigel Mitchell, Emma Lee, Jean Anderson, Mark Rumble, Amy Garcia, Ollie from Freefaller, James McCourt, Jemma James and Leah Charles. Studio Disney ran on weekdays, usually from 16:00 to 19:00, in direct competition with similar services offered by CBBC, CITV and Nickelodeon. The show featured a team of between two and six presenters who came on air between programmes, giving viewers the opportunity to call in, interact and win prizes. Studio Disney also produced many of its own short programmes, including Wish Upon a Star and Junior Journo, which were aired during the block itself and between programmes at other times. Studio Disney bowed out on 1 July 2005, in line with the disappearance of afternoon in-vision presentation on CITV and Nickelodeon the previous year and leaving the channel with a format similar to that of its American counterpart. The live presentation of the show, would also run competitions in which viewers could win holidays, and other prizes. Special holiday competitions would be run, New Year, Easter, Mother's Day, Father's Day, Chinese New Year, Christmas, etc.

A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for "the world's most important people,"...children. Along the way, a rich and tragic history is revealed, the state of childhood, technology, and education is explored, and the future of print media is questioned.