Movies and TvShows featuring "chaabi-algerois" theme.

El Gusto is a documentary that tells the story of the reunion of a group of Algerian musicians after more than 50 years. The film explores their passion for music and their journey to revive the traditional Chaabi genre.

1/4 - In 1925, the young M’hamed El Anka replaced his master Nador at short notice. He realizes that he is far from mastering all the instruments of his art and begins a self-taught training program in Oud, the Arabic language, and religious singing in the hadra of Sidi Abderrahmane. 2/4 - In 1932, the young El Anka released 10 45 rpm records in Paris, including the first song from his composition "L'Exil". He is gradually “lightening” the Andalusian heritage. He made the pilgrimage to Mecca and wrote the famous song "El Mendouza". 3/4 - The 40s and 50s will confirm the maturity of the master, who consolidates the constituent elements of what is today called Chaâbi music. In the midst of the national liberation struggle, El Hadj M'hamed El Anka triumphs with the song "Youm El Djemâa". 4/4 - In 1962, El Anka sang of independence: "El hamdou lilah, mabqach listaâmar fi bledna". Activist, poet and musicologist Bachir Hadj Ali explains the artist’s exceptional style.

Film about Dahmane El Harrachi, musician, singer and composer of the famous song "Ya Rayah", a cult song covered by Rachid Taha, which will enjoy international success. Virtuoso of the banjo, the work of Dahmane El Harrachi did not initially respond to the canons of the purists of Algiers Chaâbi song. However, he will end up establishing himself alongside great masters of the genre, El Hadj M'hamed El Anka, Boudjemaâ El Ankis, El Hachemi Guerouabi, Amar Ezzahi... He plays his own role in this film shot with his musician friends, just before his tragic death in 1980 in a car accident on the Corniche of Algiers.

The artistic journey of Dahmane El Harrachi, born in 1925 in Algiers, bears the mark of his experience. An attentive and vigilant observer of the environment of immigrant workers, Dahmane has always avoided falling into the ambient miserabilism. From the Algerian Chaâbi, he has kept certain melodic lines and a clear propensity for sayings drawn from the oral poetic tradition. El Harrachi uses simple language, understandable by all popular sectors of the Maghreb, which partly explains its wide success. In 1949, he went to France and it was in cafes, springboard places where people come to breathe the air of the country, that he performed regularly. Elegant, with his beautiful atmosphere, the “bluesman” of the suburbs seduces, upsets and stirs consciences. Discovered late by the new generation, the creator of Ya Rayah met a tragic end, on August 31, 1980, in a car accident, on the Algiers coast which he sublimated above all else.