Movies and TvShows featuring "central-australia" theme.
Pine Gap is a TV show set in a top-secret intelligence facility in Australia. The show explores the alliances, betrayals, and secrets that take place within the agency.
'Limbo' is about a jaded detective named Travis Hurley who arrives in a small Australian outback city to investigate a twenty-year-old unsolved homicide of a local Aboriginal woman. As he forms connections with the victim's broken family, Travis uncovers a series of difficult truths that shed light on the complexities of loss and injustice faced by First Nations Australians.
Samson and Delilah is a heart-wrenching story of two Aboriginal teenagers, Samson and Delilah, who find solace in each other amidst the challenges of poverty, addiction, and homelessness. As they embark on a journey through the harsh Australian Outback, their love and resilience are put to the test. It is a powerful portrayal of the strength of the human spirit.
In My Blood It Runs is a powerful, observational documentary that follows a 10-year-old Aboriginal boy named Dujuan as he navigates the challenges of growing up in the Northern Territory of Australia. Dujuan is a skilled hunter and healer, deeply connected to his Aboriginal culture and community, but he struggles within the confines of the Australian education system and the welfare system that often fails Indigenous children like him. The film explores Dujuan's journey as he fights for his culture, his education, and his future.
The story of a Warlpiri woman, Audrey, and her Sicilian partner Santo as they navigate through colonial systems to keep the children they care for together. Audrey Napanangka was born at a time when the world was changing for the people in the Central Australian Desert. Settler colonisation was permeating the desert and forced changes and the fusion of two worlds shifted Audrey’s life forever. Today, Audrey raises young people to walk in many worlds, by centering culture, language, and Law in their lives alongside mainstream education. The intimate footage filmed over 10 years in Mparntwe (Alice Springs), Yuendumu and Audrey’s Warlpiri country Mount Theo, showcases a heartwarming story about the power of kinship and family in what is known as Australia.
This 1954 classic follows an outback mailman as he travels along the Birdsville Track.
The Ghan is an innovative three-hour documentary that takes the viewer on an immersive, visually stunning journey on Australia's most iconic passenger train. In Australia's first 'Slow TV' documentary, The Ghan doesn't just travel through the heart of Australia, from Adelaide to Darwin, it explores the part the Ghan played in the foundation of modern multicultural Australia.
Fred Brophy is a fourth generation traveling showman and heads the last surviving tent boxing troupe in the world. To many, Fred is an outback hero. He is friend, counselor and savior to the rural unemployed and destitute. He invites drifters into his troupe and employs and mentors young people to keep them off drugs. He helps out communities and donates much of his income to local causes and charities. In 2010 Fred will embark on his final boxing tour of Queensland before retiring. An 80-year iconic Australian tradition will come to an end. But Fred wants to go out with a bang. He plans to make the last tour his best ever and an unforgettable experience for both his boxers and the audiences in the towns he visits.
This documentary focuses on the sacred sites in and around Mparntwe (Alice Springs) in central Australia, and the struggle of the Arrernte people to identify, document and preserve these sites in the face of rapid urban expansion and property development.
A young Aboriginal policeman and a detective from the city investigate a series of apparently unmotivated murders taking place in the remote outback.
Footage of the 1939 Simpson Desert Expedition, led by Dr. Cecil Thomas (C.T.) Madigan, with a team of nine. In 1929 CT Madigan undertook a series of aerial reconnaissances of central Australia and in 1939 followed this up with a scientific expedition into the Simpson Desert. His expedition crossed the desert in 25 days with a party of nine, pioneering the use of mobile radio communication, and making extensive zoological and botanical collections, which included 14 new species of spiders. The geology of the desert was also recorded. This was the first scientific examination of the Simpson Desert and only the second complete crossing by a European. Madigan's expedition was financed by AA Simpson of Adelaide. His book of the journey is titled' Crossing the Dead Heart'.
A multi disciplinary film and photographic art project created by Yankunytjatjara artist Derik Lynch and Australian artist Matthew Thorne that explores (in dream and memory) Derik's childhood growing up in the heart of central Australia. The story follows his road trip from the oppression of white city life in Adelaide back to country - Aputula - to perform Drag on sacred Inma ground, while memories from his youth return. Inma is a 60,000+ year old form of storytelling using the visual, verbal and physical. As a place of storytelling it is also the place where the history and stories of the past are written and shared in the present.
When former Afghan Refugee Muzafar Ali discovers that Afghans have been an integral part of Australia for over 160 years, he begins to photograph their descendants in a search to define his own new Afghan-Australian identity. However, his journey takes an unexpected turn when the Taliban take over Afghanistan, leading to a conflict between his old country and his new home.
Alec Baker, Peter Mungkuri and Mr Kunmanara Pompey are three senior artists and respected leaders from Indulkana community on the APY Lands, SA. As young men, they were renowned stockmen and in 2017 they coordinated a men's camp at the local cattle station. Influenced by their ongoing love for cowboy and western films and country music, they created their own spaghetti western: Never Stop Riding.
This documentary is about the Afghan cameleer who came to Australia more than a century ago, and travelled across some of the harshest parts of the country. The film explores the historic relationship between the desert and Afghani immigrants in Aboriginal Australia by looking at the role they played in the development of the country and how they helped to set up the railway lines, overland Telegraph line and provided supplies to remote mission stations and farms. By the mid–1800s, exploration in Australia was at its peak with expeditions setting out almost monthly. The race to map the continent, locate natural resources or find new places to settle moved away from the coast and further into the inhospitable heart of Australia. It was soon obvious that the traditional horses and wagons used for such expeditions were not suitable in this strange and foreign land.
Robyn Davidson, famous for her solo expedition across the west Australian deserts by camel in the 1970s, presents this documentary telling the story of Australia's camels and the people who brought them here.
For over thirty thousand years, the Desert People of Central Australia had walked their lands, their life governed by ancient and immutable laws laid down by the totemic ancestors and their Dreamings. In 1877 the German Lutherans arrived. Their dream of a 'mission field' in the very heart of the Australian continent put them at the epicentre of a massive clash of cultures. As the pastoral frontier, engulfed the Arrarnta homelands and threatened their existence, the Mission lease of 1,000 square miles was to become not so much a beachhead of Christianity but a place of sanctuary.
Produced in association with Waringarri Aboriginal Arts at Kununurra in Western Australia, this moving documentary features three women who talk about their paintings as an expression of their relationship to their country. The women share a sense of belonging to their place and express this belonging through dance and song and all of their artistic expressions. On a trip into the bush around Cockatoo Lagoon near Kununurra, they explain the stories of their Dreaming and of their land, and talk of their own experiences growing up as workers on stations in the area. Each artist talks about why they paint - to teach and to share stories about their country with others in the community and wider afield. The film also observes them working on paintings, each giving her personal interpretation of a loved environment and a living culture. The paintings are all very different in style but all express a life-affirming sense of identity intimately linked to their own country.