Pariyerum Perumal is a compelling story that delves into the complexities of caste discrimination in India. The film follows the journey of Pariyerum Perumal, a young college student who faces constant prejudice and oppression due to his lower caste. Determined to bring about change, Pariyerum Perumal fights against the systemic injustice and challenges the deep-rooted beliefs of society. Through friendship, love, and courage, he navigates through the obstacles and seeks justice for himself and his community.
Mukkabaaz is a movie that tells the story of a boxer named Shravan who overcomes the challenges of caste politics in the boxing world to pursue his dreams. He falls in love with a mute girl named Sunaina, who also happens to be the niece of his arch-nemesis, Bhagwan Das Mishra, the head of the boxing federation. Shravan faces numerous obstacles and discrimination due to his lower caste and Bhagwan's influence, but he remains determined to prove himself and fight against the injustice. The movie explores themes of love, perseverance, and social inequality.
In 1975, a filmmaker agrees to collaborate on a film with a gangster who wishes to become a famous actor.
The film explores barriers of class and status stitched in the minds of societies, underscoring a narrative of love that can never be fulfilled. Or can it?
Uriyadi is a 2016 Indian Tamil-language political thriller film written and directed by Vignarajan, in his directorial debut. The film stars Vijay Kumar in the lead, along with Mime Gopi, Citizen Sivakumar, Chandru Kumar, Henna Bella, Jeyakanth Velu, and others. The film revolves around a group of college students from a small town who get entangled in a political conspiracy.
Despite being at a respectable job of Village Administrative Officer (VAO), Chinnasamy, an enterprising youngster from an oppressed class has still been called by the upper caste people to perform the death rituals. However, the problem arises when he refrains to perform the last rites for a village elder.
During the 2020 pandemic summer, El Colegio de la Desextinción infiltrated into the holidays of four Divine Caste’s descendants. This elite built its wealth on slavery in the sisal plantations of Yucatán, Mexico, at the end of the 19th and beginning of the 20th century. Every year these families move to their opulent summer houses at Chicxulub Puerto, built at the same place where the asteroid that killed the dinosaurs hit. In these apocalyptic beaches, seducers of asteroids and conquistadors, we proposed the young heirs to write and star in a film about Chicxulub’s crater, in which they staged their entrepreneur fantasies.This documentary is the result of the political unconsciousness of this peninsular ethnic group.
'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.
The story of ‘blue dogs’ is about two watchful, loyal dogs of some supposed huge mobster, with his work in and around Mumbai. As the story unfolds, their lives of crime gets inexplicably tangled with bigotry, paranoia and delusions.
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