Japan and Iran are not in close relationship. More than 4 centuries ago, however, Persian carpets were used in the festival of Takayama, a historic city in mountainous area of Honsyu. A man planned to resume the carpet in the festival, and asked Kinue, a Persian carpet designer, to design it. Kinue's husband, Makoto, is a carpet importer. They send the design to Iran to weave the carpet. But just before Makoto goes to Iran to receive the carpet, Kinue dies of a traffic accident. A month before the festival, Makoto went to Isphahan, Iran, to receive the carpet. He brings his daughter Sakura, who does not open her heart after she lost her mother. To surprise, the carpet production has not even started. It will take 3 months from the start. For Makoto it means he betrays not only the festival planners but also his late wife.
An 18 year old on the island Djerba, Aicha, is married to Said, who works in Tunis for much of the year. Aicha breaks with tradition and decides to join Said in Tunis, weaving rugs to make money. Said asks that she give him a son, so Aicha lives under the rule of her mother-in-law.
A chronicle of the worldwide travels and unique cultural finds of renowned American folklorist Henry Glassie.
Forty-something single mother Minoo is a product of the Islamic Revolution, a generation of women repressed by changes in law under the new Islamic Republic. Her daughter Pegah is a rebellious youth, part of a generation in search of an identity they're yet to find. Together they live with Minoo's mother - three women of three different generations, living in the past, present and future. When Pegah takes off on an existential journey, Minoo realizes she needs to reconnect her fracturing family, and sets out to find Pegah - encountering a myriad of Tehran characters, including an improvisational indie rock band. Things take a turn for the worse when she loses her mother along the way.
In the mountains of Western Iran, the land of Bakhtiaris, the tradition of natural yarn dyeing and carpet weaving is still practiced by some.
Amangol (Altinay Ghelich Taghani) is the eldest daughter in a poor rural family. To help support them, her head is shaven and begins work as a boy named Aman in an isolated carpet weaving shop. The girls who work there are beaten by the owner, as is Aman, toiling at the loom until their hands bleed. As a male apprentice, he supervises the girls and lives in the shop, locked in and isolated.
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