Movies and TvShows featuring "camera-less" theme.
Mothlight is a groundbreaking experimental short film created by Stan Brakhage using only natural materials like moth wings and plant matter. The film explores themes of nature, art, and the beauty in the mundane through its unique camera-less animation technique. Mothlight is a visually stunning and thought-provoking piece of art.
The Dante Quartet is a mesmerizing exploration of the afterlife, portrayed through surreal hand-painted animation. The film delves into the realms of heaven, hell, and purgatory, taking viewers on a journey through abstract landscapes and captivating imagery. It is a unique and avant-garde piece that unfolds without dialogue, relying solely on visuals and a haunting musical score. The Dante Quartet invites audiences to contemplate the mysteries of existence and the cyclical nature of life and death.
Free Radicals is an abstract short film from 1958 that features avant-garde animation techniques. The film explores the concept of free radicals through the use of direct animation and drawn-on-film techniques. It is accompanied by African music, creating a mesmerizing audiovisual experience.
Dots is a 1940 animated short film that showcases the use of dots as a central element. It explores surrealistic and abstract themes through the use of direct animation and camera-less techniques. The film primarily uses the colors blue and red to create visually striking imagery. It is a unique and captivating piece that pushes the boundaries of traditional animation.
Boogie-Doodle is a surreal and whimsical animated short film created in 1941. It features abstract music and experimental visuals, with a focus on drawn-on-film techniques. The film takes viewers on a unique and imaginative journey through a world of vibrant colors and playful shapes.
For Kaleidoscope, which was sponsored by Churchman Cigarettes, Lye animated stenciled cigarette shapes and is said to have experimented by cutting out some of the shapes so that the light of the projector hit the screen directly. As in Colour Box Lye uses music by Don Baretto and his Cuban Orchestra. - Harvard Film Archive
Lye completed his last great film a few months before his death at the age of 78. The film returned to the black-and-white techniques of Free Radicals. Lye created what he called “vibrant little images” or “zig-zags” with a sense of “zizz”. The clusters of small scratches gave the film a unique texture – the images looked rough but were in fact extremely subtle. The title Particles in Space referred to flashes of energy of the kind sometimes seen by astronauts in space. The soundtrack combined “Jumping Dance Drums” from the Bahamas with drum music by the Yoruba of Nigeria and the sounds of Lye’s metal kinetic sculptures. The opening titles demonstrated Lye’s mastery of the scratching of letters and words on film, a method imitated by other film-makers such as Stan Brakhage.
Lye edited together “swing” versions of the popular Lambeth Walk (including Django Reinhardt on guitar and Stephane Grapelli on violin), combining them with a particularly diverse range of direct film images, scratched as well as painted. He was particularly pleased with a final guitar solo (with a vibrating horizontal line) and double bass solo (with a stomping vertical line). For this film Lye did not have to include any advertising slogans; friends at the Tourist and Industrial Development Association, shocked to learn that Lye and his family had become destitute, arranged for TIDA to sponsor the film – to the horror of government bureaucrats who could not understand why a popular dance was being treated as a tourist attraction. - Harvard Film Archive
An experimental film: dozens of pictorial techniques applied directly on celluloid; a work of impressive aesthetics that recovers certain ideas of abstract expressionism: endless chromaticism, constant mutations, the music of the cosmos, mysticism, synesthesia… and an enigmatic title that, although it imitates the phonetics of the Basque language, means nothing.
Lye created a series of scratched images in the 1950s – more regular or geometric than his usual style – to accompany Rock ‘n’ Rye, a track by jazz guitarist Tal Farlow, but he did not get far with the editing. He returned to the material in 1980 but died before it was completed. His assistant Steven Jones finished the film under the supervision of Lye’s widow Ann, who had been closely involved with all of Lye’s American films. - Harvard Film Archive
This wartime publicity trailer by Norman McLaren focuses on wartime inflation and the role of price control. Single-frame animation is used with pen drawings made directly on 35mm film stock. Music is by Louis Applebaum, a leading composer and advocate for the arts in Canada.
This animated short by Norman McLaren serves as a wartime savings campaign. Symbolic figures, drawn directly on 35mm film stock, move and dance against a simple painted background. The score is "Pinetop's Boogie Woogie," by Albert Ammons.
Inspired by enjoyment of looking into a bonfire or hearth, seeing shapes coalesce and disperse fleetingly, or by feeling the mind's desire work with the forms of flame that dance. The cinema is a similar form to that. Made without a camera by etching unexposed film with sandpaper, chemicals and light.
“Light Magic” utilizes and examines one of the earliest photographic processes, discovered at the birth of the photographic medium: the photogram. This technique combines science and art in order to record the process of transformation. Images created through this technique are traces of light that pass through each object, leaving their mark on the film surface. Photograms bring both the maker and the viewer closer to the object, thus revealing its essence - that neither the naked eye nor the camera lens could see.
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