Movies and TvShows featuring "camel-caravan" theme.

Arabian Nights (1974) is a provocative and explicit film that delves into the sensuality and sexual escapades found in the classic tales from One Thousand and One Nights. The movie explores themes of sexual promiscuity, loss of virginity, and human transformation. It features explicit sexual content, including close-up shots of genitalia and scenes depicting sexual acts. Additionally, the film includes scenes of violence, such as beheadings and castrations, as well as animal cruelty.

When the Black Stallion is stolen, a teenage boy and girl must navigate the dangerous Moroccan desert to rescue him. Along the way, they encounter sheiks, jockeys, and a risky wager at the racetrack.

The Sheik is an adventure-drama-romance film from 1921 that tells the story of an impossible love between a sheik and an Englishwoman. Set in the desert, the film explores themes of interracial relationships, kidnapping, and escape. The sheik rescues the Englishwoman from a bandit and they navigate the harsh desert landscape together, facing night attacks, sandstorms, and other dangers. Along the way, they develop a complicated relationship that is both tender and fraught with tension.

Osami, a soldier-of-fortune from Japan, joins with priest Ensai in a quest for the ashes of the great Buddha. Their journey takes them to a kingdom in the Middle East, where they find intrigue and romance in the court of an evil king.

To the Ends of the Earth follows a government agent as he investigates a drug smuggling scheme in 1930s Shanghai. The agent finds himself embroiled in a dangerous pursuit that leads him to uncover various clues and encounter unexpected challenges. With suspense and intrigue, the agent navigates through a web of deceit and corruption to bring the culprits to justice.

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

Two men, lost in the desert, meet Queen Antinea, ruler of Atlantis.

A caravan guarded by Roman soldiers comes across a woman bound to a stake and left to die. A wealthy merchant who hired the caravan is against taking The Woman along, but the commander of the soldiers, Verrus, overrules him. Verrus tries to get friendly with her, promising all kinds of wealth for her favors. The caravan encounters a group of Jdean refugees fleeing from King Herod's orders to kill all male children. They are on their way to Egypt with a male child with them. The Merchant begins to ponder the reward that would be paid by the King and orders The Woman to seduce a Roman guard to enable the messenger to get away. When the King's soldiers show up, Verrus refuses to surrender the refugees. Then the sand hits the fan.

An evil bandit kidnaps a sultan's son and raises him but finds the son has magic powers.

When American newsreel cameraman stationed in Paris is sent to cover an Arab rebellion he finds a financier presumed dead but actually fomenting desert warfare.

Antinea, the Queen of Atlantis, rules her secret kingdom hidden beneath the Sahara Desert. One day two lost explorers stumble into her kingdom, and soon realize that they haven't really been saved-- Antinea has a habit of taking men as lovers, then when she's done with them, she kills them and keeps them mummified.

A British officer in the Camel Corps in Egypt goes undercover to investigate a gang of drug smugglers. He enlists the aid of a female pilot to help break up the gang.

A young woman sharpshooter fighting with the Reds in Turkestan misses her forty-first victim, a handsome White lieutenant, and ends up escorting him, by boat, into captivity across the Aral Sea. A storm strands the two on an island.

“The barbaric negro inhabitants of an African village are shown in their various forms of activity, the first view being a photograph of a number of children of all sizes, shapes and degrees of African beauty. Following this is a match between two giant negro wrestlers, who first fence with slicks and then grapple with each other. The start of a caravan is next pictured, the handling of the huge camels being well demonstrated. A British courier next comes into view and the African, presumably sheiks, attack him. A short sham fight takes place, and he escapes. Now a religious procession of natives is shown, with their tom-toms and curious devices for making curious music. The last is a photo of a comical looking African infant playing with a kitten.” (Moving Picture World)