Zorra Total is a Brazilian television comedy broadcast by Globo Network. It was launched on March 25, 1999 and has aired on Saturdays, at 10p.m., ever since May 1999. The show is a sketch comedy show. It is the audience leader on its slot.
"Sparkling Girls" centers around three young and beautiful, hard-working housekeepers who reach stardom instantly when an online video clip of them singing, surprisingly becomes a hit. Their success provokes the wrath of a glamorously gaudy and outspoken famous singer who will do anything to ruin the girls' friendship and career. With humor, romance, over the top characters, and bright, glittery stage performances set to catchy tunes, "Sparkling Girls" delivers all of the expected delights and shows that dreams really do come true.
The daily life of two friends, Sueli and Fátima, whom despite being independent and single women, always feel smothered.
Toma Lá, Dá Cá is a Brazilian sitcom that revolves around the lives of the residents in an apartment building. The show explores the comedic and chaotic situations that arise from the interactions between the diverse and eccentric characters. It delves into themes of family relationships, LGBTQ representation, and societal stereotypes, all portrayed with humor and wit.
Fudêncio e Seus Amigos is a Brazilian animated television series created by Thiago Martins, Marco Pavão and Flávia Boggio for MTV Brasil. The series premiered on August 23, 2005, and has released six seasons. Fudêncio born as a doll that appeared in the programs of João Gordo. When MTV Brasil started showing Brazilian animated television series, the character received his own show. The series is known for its black comedy and cameos from various personalities.
The department store Fuzue, specialized in popular items, is a success led by Nero Braga e Silva. Little does he know that the store's grounds have hidden relics for over 300 years.
Choque de Cultura is a web series that follows the hilarious antics of a group of car drivers who discuss and review movies in a satirical and comedic manner. The show provides a fresh and humorous perspective on the world of cinema.
Chuck Billy has spent his life picking guavas from Jed’s guava tree. But now that Dr. Agripino is going to build a road that will take down the tree, Chuck and his friends are going to do everything they can to stop it.
After 20 years missing, João Grilo returns to Taperoá to join his old friend Chicó and, after his story of resurrection spreads, he is disputed as an electoral candidate by the two most powerful politicians in the city.
Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. At 85 years old, she pushes the limits of her age and does everything she can for her family and friends. Sweet Mother illustrates the everyday life of the elderly with clarity and levity, and shows that youth actually starts at 80. In the role that earned her the 2013 International Emmy® Awards for Best Actress, Fernanda Montenegro adds another success to her list of characters, which includes an Oscar nomination for the film Central Station.
When Suzano assumes the role of police chief at a new precinct, the timid newbie will have to prove his mettle to his fearless squad.
In the northeast region of Brazil, the charismatic and mischievous Judas enters a small village and gets involved in various comical situations. Alongside his loyal friend Chicó, they embark on a series of adventures, encountering love, religion, and judgment.
When the Mayans predicted the end of times, almost two thousand years ago, they didn't care because they had yet so much time to enjoy. But the times have changed. And as the apocalyptic day comes, December 21st 2012, Katia embraces the prophecy and lives her life as the world is going to end. The character wants to enjoy the end of the world to do everything she ever wanted in life, but she never got to, including revenges, sexual and romantic fantasies. In her attempt of doing everything on her list of to-do's, she ends up meeting Ernani. And, together, they both try to live their lives as there's no tomorrow.