A middle-aged, upper-middle class couple, David and Linda Howard, are in a rut with their lives. They decide to quit their jobs, sell everything they own, and live the carefree life of a Winnebago-wielding nomad. However, their journey is not as smooth as they anticipated.
Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.
In the late summer along the Australian coast, Bosch, a young father goes on the run for drug dealing with his surf gang. In tow is his son, Rockit, who believes he is on a magical holiday.
The film takes place away from the glittering strip of mega casinos, but the greed of Sin City is just as pervasive on the desert outskirts. This is where a happy family learns of a forgotten fortune that may be buried beneath their home. Their lives are turned upside down. A sophisticated study of just how far people are able and willing to go if faced with the tempting prospect of easily acquired wealth.
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