When a stay-at-home dad finally gets some time to himself, he joins his childhood friend's wild birthday bash, leading to unexpected adventures and self-discovery. Along the way, he faces challenges, reconnects with his family, and learns valuable lessons about friendship and letting go.
White Men Can't Jump follows two streetball hustlers who join forces to compete in a basketball tournament. Along the way, they face challenges such as racial tensions, friendship, and the ups and downs of their hustle.
Cry Freedom is a powerful drama based on the true story of Steve Biko, a black activist, and his relationship with a white journalist, Donald Woods. Set in the 1970s during the height of apartheid, the film explores themes of racial discrimination, social injustice, and the struggle for human rights. When Steve Biko is killed by the South African security police, Donald Woods risks his life to expose the truth and fight for justice.
In the year 2069, a king without a crown faces a fateful year filled with eroticism.
When darkness falls, temperatures rise in these six stories about late night confessions, intimacy for sale, high speed hookups and full moon frissons. But when the sun comes up and reality reveals itself, will it have all been worth it? The short films are: Thirst (2018); According to Mateo [Según Mateo] (2017); Hardcore (2016); Beast [Séptimo] (2011); Petit Ami (2017); Skai Blue (2017).
Hearts and Bones follows Dan, a war photographer who is haunted by his past experiences in Sudan. His life takes an unexpected turn when he meets Sebastian, a Sudanese refugee, who brings with him a photograph that raises questions about Dan's own involvement in the conflict. As Dan becomes entangled in Sebastian's story, he must confront his own trauma and make difficult decisions about his future.
In the Bahamas, a closeted bisexual man explores his sexuality while facing homophobic bigotry and religious intolerance. He forms a mixed-orientation relationship with a white man and faces challenges in his relationships with his abusive mother and wife of a minister. The story touches on themes of love, prejudice, and self-discovery.
Worlds collide at an awkward dinner party in 1959 New England. Tables turn when a progressive biracial couple attends dinner at the imposing home of an unexceptional artist and questionable psychiatrist. By daybreak, they find themselves pawns in a cynical game that exposes the cracks in their facades.
a Rastafarian vampire film starring and co-written by Oba, an artist and musician based in Brooklyn. Spanning 500 years of colonial destruction, human trafficking and blood sucking, the film reimagines Oba’s origin story. In the late 15th century, Oba is shipped as cargo from West Africa to the Caribbean, where he is seduced by the vampire Christopher Columbus, ensuring his undying allegiance to the colonial project. As the centuries blow by, Oba and Columbus work behind the scenes, pulling the strings of ‘new world’ geopolitics as they spread vampirism across the Western Hemisphere. Combining film forms and genre tropes, Nosferasta examines the guilt of being complicit in imperial conquest, while acknowledging the extreme difficulty of unlearning centuries of vampiric conditioning. Ultimately, the film tackles an uncomfortable question: How can you decolonise yourself, if it’s in your blood?
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