Zoey Miller, a super smart computer nerd, has her life turned upside down when Zack, the school's soccer star, gets amnesia and mistakes Zoey for his girlfriend. In an attempt to get closer to Zach's cousin Miles, she joins his family on a ski trip pretending to be Zach's girlfriend. Caught between the two men, her determination to look for compatibility as opposed to romantic love begins to falter.
One Day We'll Talk About Today tells the story of a family with deep-rooted secrets and the lasting effects of trauma. As the film unravels, it explores the intertwined lives of the twin sisters, their architect father, and their relationships with their three adult children. Set against the backdrop of a major family secret, the film delves into themes of love, loss, and the complexities of family dynamics.
Human Capital tells the story of two families, one wealthy and privileged, and the other middle-class, whose lives become entangled after a car-bicycle accident. The film explores themes of class division, privilege, and the consequences of our actions.
Playing Doctor is a comedic exploration of friendship and the awkward situations that arise as a group of friends navigate through various personal experiences. With themes of friendship, love, and coming of age, the movie takes a humorous look at the challenges and mishaps that occur along the way.
An aging, Argentine, Serge Gainsbourg wannabe struggles to deal with a career he can't seem to get on track, an affair he doesn't want, and a crime he didn't mean to commit.
When two boys on their BMX bikes and their Speedway racing Dad, come up against a notorious crime boss and his criminal gang who have stolen a hoard of Diamonds from England’s Largest Castle, a chain of events is set off that will change their lives forever...
An unimpressive, boring high-school geek is bitten and contracts vampirical symptoms, transforming him into a confident coolio.
Petr is a courier, a messenger as a matter of fact. He is one of those young men who believe that on their bikes they have become part and parcel of the atmosphere of modern cities. He is a non-conformist who refuses to settle into today‘s deformed society, he abhors its indolence, consumerism and lies, as well as its pseudo-truths, pseudo-feelings, pseudo-loves and pseudo-values. Petr’s untrammelled personality keeps causing more and more serious problems. And Petr is also one of those who will never admit to themselves that they might be at the end of their tether.
A young man, Eliot, comes back in his childhood district with the aim of preparing a movie for the Film School's admission exams. He meets up with Florence, a girl he hasn't seen for years. Together they recall the days when Eliot lived to the full thanks only to the super 8 camera his understanding father had offered him, sweeping along in his cinematographic adventures his best friend Maxime, who is wholly different from him and so lively, as well as Florence, whom he secretly had fallen for. The discord will soon lead to competition between the two boys until the day Eliot gets humiliated and changes his film roles in order to gain Florence's favors. But nothing runs as expected.
Prem is helpful to his friends and solves their problem related love and so he is called 'Loveguru'. From the marriage ceremony of Sathi, he helps to elope her with her lover Sobuj who was going to commit suicide not to get her. While running away from the marriage, Prem meets Priya who was celebrating her birthday. Considering him as spoiled brat, Priya starts despise Prem. While apprehending his guilt, Prem falls in love with her. On the other hand, Prem becomes enemy of Bablu, a mafia, who was the groom of the marriage. Bablu sends his men to kill Prem several times but failed and they find that Prem is lover of Priya, Bablu's sister. Bablu gets more furious at this.
A postmodern interpretation of the 'Prince Charming' myth.
After the End’ is a documentary film about the effect of loss in each of our lives. Following the stories of people who have each experienced the death of a loved one, the film explores what it means to lose someone without losing ourselves in the process. Guided by Andrew Morgan, who lost his father in a cycling accident, the filmmakers journey across America speaking with families who have recently experienced a loss, sharing their heartfelt stories about working through the experience. Through interviews with hospice coordinators, bereavement specialists and experts on grief counseling, including Alan D. Wolfelt (author, educator and founder of Center For Loss & Life Transition), Rev. David M. Smith and Elisabeth Kubler-Ross (via archival video), the author of the seminal work on grief issues, “On Death and Dying,” we are reminded that by sharing our pain, we allow ourselves to heal.
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