Movies and TvShows featuring "bed-of-nails" theme.

Heavyweights is a comedy movie about a group of overweight kids who attend a summer camp called Camp Hope. They soon realize that the camp's new owner, a psychotic fitness instructor named Tony Perkis, has a strict weight loss program in place. The kids must navigate the challenges of the camp while also forming relationships and standing up against Tony's abusive behavior.

Dark Habits is a comedy-drama film set in Madrid, Spain. It revolves around a nightclub singer who seeks refuge in a convent after a drug overdose. The film explores themes of decadence, corruption, and redemption, as the singer becomes involved in the unconventional lives of the nuns. With elements of drug abuse, lesbianism, and Catholicism, Dark Habits portrays the struggle for identity and a search for meaning amidst a chaotic lifestyle.

Jackass 2.5 is a documentary-style film that features the Jackass crew performing a series of shocking and outrageous stunts. From dangerous stunts like driving over a driving range to crude and absurd pranks, the film takes audiences on a wild and unpredictable ride. With painful and disgusting moments, Jackass 2.5 lives up to its reputation as a boundary-pushing and hilarious film.

This documentary explores the life and work of Robert Crumb, a prominent underground comic cartoonist known for his controversial and satirical art. The film delves into Crumb's dysfunctional family background, his struggles with mental illness, and his artistic contributions to the counterculture movement of the 1970s.

An escaped convict, pursued by an obsessive policeman, hides out in a travelling circus

A faux travelogue that mixes documentary and mockumentary footage. The camera looks through a one-way glass into the women's dressing room at a lingerie shop, visits a Kyoto massage parlor, goes inside the mailroom at Frederick's of Hollywood, watches an Australian who sticks nails through his skin and eats glass, checks out the art and peace scene in Los Angeles, takes in Easter week with vacationing college students on Balboa Island, observes a German audience enjoying a play about Nazi sadism, and, with the help of powerful military lenses, spies on a Lebanese white-slavery auction.

This film is about tribes in Africa and South America who turn toward magic as a means of survival and way of life.

To the tune of The Nutcracker, a number of elves do all the work in a shoe shop.

Widowers Amos and Ben plot to romantically unite Amos' daughter Luiss and Ben's son Matt by pretending to feud and forbidding the teens to associate, knowing they will resist their fathers' interference. As the two youngsters fall in love, the fathers plot to end the 'feud' by hiring a traveling showman to fake an abduction and allow Matt to 'rescue' Luisa.

Popeye and Olive enter the city of Badgag and spot Bluto doing magic tricks. He hypnotizes Olive like a snake charmer. Bluto introduces himself as the Great Bourgeois and gives Olive a fancy dress, turns Popeye into a donkey, and sits on a bed of nails. Popeye pounces on the bed and turns it into springs. The boys next compete in snake charming; Popeye blows a hornpipe on his pipe. Bluto next turns Popeye into a parrot. Bluto then locks Olive in a basket and does the sword trick; Olive escapes and gives parrot Popeye his spinach, which revives him. Bluto escapes with the rope trick and a flying carpet, but Popeye uses his pipe like a rocket to get aloft. Another battle, with Popeye using Bluto's own magic to turn Bluto into a canary. Popeye and Olive fly the carpet home, past the Statue of Liberty.

"Charles Gatewood is a photographer and anthropologist who specializes in "subcultures." On the evidence of "Dances Sacred and Profane," Mark and Dan Jury's documentary about Mr. Gatewood, he is drawn particularly to Mardi Gras revels, gatherings of nudists and sex clubs. Bare breasts, elaborately tattooed bodies and bizarre behavior are featured in his work, and in the movie. Addressing those who may find his subject matter "revolting and disgusting," Mr. Gatewood asserts that it "tells us something about ourselves." He sees "important statements being made there," about "liberation through excess" and "some kind of actualization of transcendence."