The lives of the residents of the fictitious village of Lansing in Upper Bavaria.
This critically acclaimed drama focuses on the Drombuschs, an average German family living in Darmstadt near Frankfurt.
A kindergarten teacher in Staten Island becomes fascinated with one of her students, a young boy who shows immense talent in poetry. As she becomes more and more obsessed with his gift, she starts taking questionable actions to ensure his success, crossing boundaries and endangering both of their lives.
Superstar is a comedy movie that tells the story of a common man who suddenly becomes famous and experiences the craziness of the entertainment industry. The movie explores themes of fame, media hype, and the price of fame.
It's Impossible to Learn to Plow by Reading Books follows an individual as they go about their daily routine, engaging in mundane activities such as doing laundry, grocery shopping, and hanging out at convenience stores. The film explores themes of boredom, slacker culture, and the lack of meaningful communication in modern society.
Cécile thinks one thing and its opposite. She wants one thing and its opposite. She doesn't know what she thinks or what she wants. So she talks about one thing and its opposite.
In The Fall is a thought-provoking movie that explores themes of acceptance, death, and nihilism. The story follows a disillusioned worker who is coming to terms with the banality of life and the inevitability of death. Through a series of surreal events, the protagonist confronts his own mortality and finds a glimmer of hope in the passage of time.
In this dark comedy, defense lawyer Jake Jorgenson's carefully constructed life begins to unravel when he kills his wife's lover.
In 1992, the San Francisco Museum of Modern Art put on the first major museum retrospective of the work of Jeff Koons, who, at a boyish 37, was already an art-world sensation. His series “Made in Heaven,” a set of photorealist paintings depicting himself and his wife Ilona Staller—a famous porn star—in various acrobatic coital poses, had premiered the past year to enormous controversy, and his collected body of work, with its heavy use of readymades and its assembly-line style production methods, was already inspiring a question that continues to stoke debate: is Koons a canny media critic, or a cynical market-reader trading in repurposed junk? Roger Teich’s compelling, keen-eyed short documentary, filmed at and around the exhibit, leaves that question tantalizingly open. The result is a multi-sided portrait of a man whose work continues to raise difficult, probing questions about the role of the artist in society.
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