Un Chien Andalou is a surreal and avant-garde short film directed by Luis Buñuel and Salvador Dalí. The film consists of a series of unrelated and dreamlike scenes that defy traditional narrative structure. It features iconic imagery such as a razor cutting an eye, a severed hand, and ants emerging from a hole in a man's palm. Un Chien Andalou is considered a seminal work of surrealist cinema and has had a lasting impact on the art film genre.
In a post-apocalyptic future, a man with a haunted past is forced to relive his childhood memories through time travel experiments. Through a series of still-frame images, he encounters a woman who becomes the key to his survival and love. As the experiments lead to a shocking revelation about the future of humanity, the man must confront his own mortality and the consequences of his actions.
Entr'acte (1924) is an avant-garde short film filled with surrealism and comedy. The film takes the audience on a journey through a series of absurd and unexpected events, featuring running after a car, a runaway carriage, a funeral procession, a bearded woman, and a ballet performance. With its experimental and dadaist elements, Entr'acte is a unique cinematic experience.
Meshes of the Afternoon is a surreal and experimental short film that follows a woman as she navigates through dream-like sequences and encounters alternate realities. The film explores themes of identity, perception, and the unconscious mind. It uses various symbols and visual motifs such as flowers, knives, stairs, and mirrors to create a sense of unease and mystery. The protagonist's encounters with a doppelganger and a hooded figure add to the surreal atmosphere of the film.
A young man trapped in prison finds solace in his own fantasies and desires, exploring themes of loneliness, homoeroticism, and sexual longing. Through avant-garde visuals and sensual imagery, the film delves into the psychological state of the protagonist and challenges societal norms of desire and sexuality.
A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.
At Land is a surrealist and avant-garde movie that follows a woman's journey through strange and symbolic scenarios. It explores themes of feminism and utilizes surrealistic imagery and storytelling techniques. The movie is known for its unique and experimental style.
Ballet Mécanique is an abstract short film featuring avant-garde elements. It explores themes of dadaism, surrealism, and impressionism through the juxtaposition of mechanical and human movements.
In this avant-garde short film, a man with a leg amputation interacts with an incompetent nurse in a single location. The film explores themes of unhappiness and the color black.
Apocalypse After is a comedic and fantastical horror movie that takes place in the aftermath of an apocalypse. The film follows a group of survivors who must navigate the challenges of living in a post-apocalyptic world while also dealing with the absurd and unexpected. With elements of comedy, fantasy, and horror, Apocalypse After offers a unique take on the genre.
Possibly in Michigan is a surreal and experimental horror musical that takes place in a shopping mall in Michigan. The film explores themes of cannibalism, murder, and feminism, and features masked characters and a mysterious stalker. Set in the 1980s, the movie combines art-house aesthetics with avant-garde storytelling.
À propos de Nice is a satirical and avant-garde silent film that showcases the stark wealth disparity and decadence of the residents of Nice, France. The film combines elements of a travelogue, city symphony, and social satire to create a poetic and visually stunning depiction of life in the French Riviera.
Window Water Baby Moving is a documentary short film that captures the intimate moments of a woman giving birth to a baby. Shot in a home environment during winter, the film showcases the expectant mother's journey from pregnancy to childbirth, with close-ups of the baby's delivery and moments of nursing and breastfeeding.
Ménilmontant (1926) tells the story of two sisters in 1920s Paris who face dark and tragic events, including betrayal, murder, and loss of innocence. The film explores themes of love, sisterhood, and poverty in a surrealist and avant-garde style.
Blow Job (1963) is an avant-garde short documentary that delves into the themes of fellatio and sexual identity. The film presents a single-take, long-take shot of a man's face as he receives oral sex, without explicitly showing the act. This groundbreaking experimental film challenges societal norms and explores the boundaries of art and sexuality.
Darkened Room (2002) is a surrealistic and avant-garde short movie that tells the story of a person who finds themselves locked in a room with a dark secret. As they struggle to escape, they experience distress, sadness, and cruelty while questioning their existence. The movie explores themes of isolation, confinement, and the human struggle against unseen forces.
Outer Space (1999) is a surreal and avant-garde experimental film that combines elements of psychological horror and dark imagery. The film takes place in outer space and explores themes of obscurity and reappropriation through the use of archive footage and surreal visuals.
Dimensions of Dialogue is a surreal stop-motion animated film that explores the complexities of communication through various dimensions. It presents three different stories: one about two individuals trying to communicate but failing miserably, the second about two heads engaged in a brutal conversation, and the third about a mouthless man who eats others to gain their abilities. Through these stories, the film delves into the themes of miscommunication, power dynamics, and the consequences of language.
Return to Reason is a groundbreaking experimental short film released in 1923. It features abstract visuals, avant-garde techniques, and surrealism. The film showcases various art forms and incorporates elements of carnival-ride, chiaroscuro, silhouette, and extreme close-up.
In this avant-garde short film, a female scientist embarks on a surreal and comedic journey to the center of the Earth. Along the way, she encounters absurd situations, montages of epic action and fantasy, and explores themes of capitalism and industrialism. Filled with homage to classic films and steampunk elements, this film is a melodrama spoof with multiple love interests and a comedic twist on the scientific quest-adventure genre.