Set during Winter in World War II, a teenage boy named Michiel gets involved with the resistance movement in Nazi-occupied Netherlands. As he navigates through the challenges of the war, Michiel learns about bravery, loyalty, and the harsh realities of the conflict.
In the Australian outback, a German geologist becomes embroiled in a legal and environmental dispute when a mining company threatens to destroy a sacred Aboriginal site. As tensions rise, the geologist must navigate the complexities of indigenous rights, tribal customs, and the destruction of wildlife habitat. The trial becomes a symbolic battle between progress and the preservation of ancient cultures.
Lasting is a drama and romance film set in Poland, focusing on a couple who meet and fall in love during a summer vacation. However, their relationship takes an unexpected turn when they face challenges such as pregnancy and abortion. The movie explores themes of love, loss, and the complexities of relationships.
Marisa feels that she is the supporting actress of her own life. She has no job, no projects, no prospects for the future. She looks away from her own life's downfall to become the rescuer of her best friend Mina, who is immersed in a desperate crisis after the break-up of her relationship with Salvador. When she tries to get help from other friends, she only finds more lives adrift. Then, some unexpected news breaks the difficult balance of her life, and Marisa can only find comfort in the city nightlife. She is ready to disappear, silent and quietly, like fading into black.
A documentary which explores the life and the career of Michelangelo Antonioni, one of the greatest Italian directors, through archival footage and interviews.
In his wordless debut film, Mikhail Vartanov presents the ancient and modern art of Armenia through the post-impressionist painter Martiros Saryan’s silent commentary of gestures. Biblical landscapes, the ruins of temples, frescos, cross-stones, contemporary sculptures of Tchakmakchian (Chakmakchyan), the first appearance on film of iconic modernist painter Minas and his paintings, as well as the world famous behind-the-scenes episodes of Sergei Parajanov’s landmark "The Color of Pomegranates (Sayat Nova)." The film had its first public screening at one of the world’s largest and prestigious cinematic events, the Busan International Film Festival, 43 years after it was made.
Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
A documentary about the making of Andrei Tarkovsky's ANDREI RUBLEV, and Andrei Konchalovsky's THE STORY OF ASYA KLYACHINA.
Made in wartime and edited in candlelight, Vartanov's rarely-seen masterpiece tells about his friendship with the genius Parajanov who was imprisoned by KGB "at the height of his fame ". Vartanov resurrects the riveting scenes from his banned 1969 film The Color of Armenian Land, where Paradjanov concocts the chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - then reveals the shocking request Parajanov sent him in unpublished 1974 letters from Ukrainian prisons. Vartanov's camera documents Parajanov's staggering last day at work in 1990 during the making of the unfinished Confession - which survives in The Last Spring - as Parajanov comments on this cherished autobiographical film. The foremost achievement of The Last Spring, emphasized by critics, is Vartanov's exquisite wordless montage that "evoked the very soul" of Parajanov and earned the praise of many of cinema's greatest masters, such as Martin Scorsese and Francis Ford Coppola.
Zeft is the story of a village, of a changing society torn between the background of traditional beliefs and diffuse aspirations for modernity.
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