La Notte is a slow-cinema film that explores the disillusionment and existential loneliness of a couple experiencing a marriage crisis. Set in Milan, the film follows the protagonist's journey of introspection and his encounters with high society parties, hospital visits, and intellectual conversations. As the night progresses, the characters grapple with their own desires and the emptiness of their bourgeois existence.
After getting in debt with Russian gangsters, Nick is given one final chance to redeem himself: find a mysterious woman being protected by the Korean mafia. But finding her may cost him more than he ever imagined.
A barrage balloon appears unexpectedly over a Bulgarian village during World War II. The startled villagers decide to knock it down with a fusillade yet the balloon flies off to the mountains. The villagers, armed to their teeth, set off after it. But they are not alone in this undertaking...
Türkiye’s modernization adventure is an intermittent one that carries the pains of transition from empire to republic and of geographical liminality in every aspect of culture. At the center of this arduous modernist attitude in art is İlhan Usmanbaş, who was born in 1921 in the Ottoman Empire, whose atonal music of the 1950s influenced not only the field of music but also literature. As an essay film, Modernist: Usmanbaş both traces the composer's insistence on playing 20th century music in his compositions and visual notation and follows him in the private nursing home where he lived from the age of 100 to 103. While the film records Usmanbaş's curiosity in natural history and the intellectual structure he built between music, science and mathematics with the testimonies of the last years of his life, it also makes references to modernist art in formal terms as a meta attitude.
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