A young addict dealing with the loss of his abusive father finds himself in an unfavorable circumstance after developing an intimate relationship with a charming and dangerous stranger, this manipulative roommate sends him down a path of destruction that comes with a risky price. Teaching him about life, sex, and fighting back.
When work moves Jason across the world, the only way he can bring his love Carla, is if they are married by Christmas.
Raising the subtext of "Fight Club" into text, "Shiner" depicts a pair of amateur boxers gratified by punching each others' lights out. Theirs is among a trio of twisted love stories in the narrative feature by 29-year-old Los Angeles director Christian Calson. There's also a woman literally fighting her male lover's affections and another boxer who stalks his own shy male stalker. "Shiner" transcends sadomasochism in that no one seems aware of what he or she is doing. "I'm trying to look at desire head on," the soft-spoken Calson said by telephone. "('Shiner') is about the politics of wanting and being wanted and how people respond differently." Rife with ugly behavior, "Shiner" rejects the trend of queer filmmakers seeking straight understanding. "In L.A., we have this kind of sadness we carry around, that the only way we can make gay stories is by making more like 'Will and Grace,' " Calson said. Like the activist-filmmakers tackling the marriage issue, Calson went into "...
Vince is a 13-year-old drummer. His father, Fred, is 48, and a faded guitarist and singer rock "star." He’s going to play with him one of his old tunes at his middle school summer party. The trouble is chain-smoker Fred doesn’t really have a voice any more. Besides, Fred is not really his father…
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