30 something year old Yuriko (Noriko Eguchi) works as a aromatherapist at an aroma salon. She uses essentials oils and her hands to soothe her client’s inner well-being. Yuriko also has a secret she can’t tell anyone; She gets incredibly turned on by the sweaty scent of a 17 year old high school student named Tetsuya (Shota Someya). Tetsuya is also the nephew of the salon owner (Jun Miho). Meanwhile, salon client Ayama (Saori Hara) asks to practice aromatherapy, but her real intent is to press her large breasts against Yuriko.
Isabella, a chef from Brazil, divorces her unfaithful husband and moves to San Francisco to pursue her dream of becoming a TV cooking show host. Along the way, she navigates through a romantic triangle, faces challenges in her career, and discovers the power of her culinary skills.
Axone follows a group of migrants living in a city outside their home state in India. They plan to host a wedding party for their friend, but encounter various challenges due to cultural differences, discrimination, and the aroma of their traditional dish, Axone. The film explores themes of co-existence, racism, and the power of food to bring people together.
With the invention of a new television that broadcasts scent, an ordinary man is pulled into a daunting new cooking show.
After a laboratory accident, a scientist discovers he can see people's souls through their sense of smell, leading him and his estranged wife into a world of mystery and danger.
Jerry's a wharf mouse; he sees a load of cheese being loaded onto a cargo ship and tries a variety of tricks to board, but Tom is on guard.
After driving the Foreign Legionnaires from their fort with his aroma, lovesick skunk Pepe falls for the camp mascot, a cat who's accidentally gotten a white stripe painted down her back.
A Harvard grad tries to start a gold claim, but is immediately beset by the amorous daughter of a rival miner.
Foreign Names focuses on the worker displacement in a compilation of video clips from Aroma, a coffee shop chain. Ben-Ner’s video shows counter staff at the coffee shops yelling nonsensical English “names,” fabricated and given to them by the artist. The texts edited together become a lament of the waiters’ disappearance and the state of workers today.
This film is shot to point out the flood of commercial messages in television program, on billboards and megaboards, messages that take over our subconscious mind. We Love Belgrade is a log-line that justifies huge investments. This shining out of advertisement messages is just a curtain that hides carelessness towards the environment and human lives. The whole Belgrade became a commercial to sell itself, by constantly sending ads to its citizens. Could a commercial have any influence on a young mother of two whose only source of money comes from trash cans?
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