Un Chien Andalou is a surreal and avant-garde short film directed by Luis Buñuel and Salvador Dalí. The film consists of a series of unrelated and dreamlike scenes that defy traditional narrative structure. It features iconic imagery such as a razor cutting an eye, a severed hand, and ants emerging from a hole in a man's palm. Un Chien Andalou is considered a seminal work of surrealist cinema and has had a lasting impact on the art film genre.
When the spoiled son and newest wife of a billionaire patriarch plot to murder him, they form a psycho-sexual bond with their brutally handsome hitman as they kill and kill (and kill) in their quest for wealth and recognition.
Triple Standard is a drama and romance movie that follows the story of a gay protagonist who is struggling with his relationship and facing issues of acceptance. The movie explores themes of homosexuality, masculinity, and the challenges faced by a closeted homosexual. It delves into the struggles and conflicts that arise within relationships and the consequences of denying one's true self. Through the portrayal of various characters, Triple Standard highlights the importance of acceptance and self-discovery.
A filmmaker scrutinizes his coarse body hair.
A mixed group of prisoners in a concentration camp in North Korea struggle for survival and dignity as best the can, enduring the cruelty of the guards and of their fellow inmates.
Two swim-team members, a hairless boy and a hirsute girl, discover the pangs and tangles of first love.
This video for Holopaw's "Dirty Boots" follows a sexually-charged day in the life of a gay biker gang in Brooklyn. They awake in a tangle of leather, then suit up and ride to an underground sex club to initiate new members. Boundaries are pushed, but the boys find love, family and the unexpected.
In the first of a new series of Define Beauty, Berlin-based directer Matt Lambert—known for his often-NSFW work exploring sex and intimacy—gets under the skin of our infatuation with sweat. Read more on NOWNESS
Heartbeat/Armpit (2003) is a looped digital video just under two and a half minutes long and with no sound, a rare format in Tillmans’s artistic world. At first glance, this piece with its stringent composition and seeming calm seems to resemble a photograph. What we see is a cropped section of an angled overhead shot of a young man lying bare chested on a carpet.On closer inspection minimal movements can be discerned within this harmonious composition. These minute movements attest to the fact that he is alive: we intuit his breath and heartbeat from the fact that his chest rises and falls gently, and the artery in his neck pulsates.
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