Tyler Rake, after surviving a mission in Dhaka, is approached to rescue a woman and her children from a crime syndicate in Georgia. With the help of his team, Tyler embarks on a dangerous mission, facing prison riots, assassins, and a relentless pursuit. As the mission unfolds, secrets are revealed and loyalties are tested. Tyler's past and personal connections to the mission come to light, and he must confront his own demons to save the ones he cares about most.
The Near East Foundation, known initially as Near East Relief, spearheaded this first great mobilization of international humanitarian assistance in the United States, in September 1915, in response to the Armenian Genocide. Driven by the conviction that ordinary citizens had the collective power to save the lives of people coping with adversity, the organization's efforts helped save more than one million lives.
Mimino is a comedy-drama movie set in the Soviet Union. The story follows Valiko Mizandari, a truck driver from a Georgian village who dreams of becoming a pilot. He gets the opportunity to attend flight school in Moscow and becomes a helicopter pilot. Throughout his journey, Valiko experiences various misadventures and mistaken identities. The movie explores themes of friendship, love, and identity crisis.
In the 1st century, a group of warriors embarks on a dangerous mission amidst the snowy landscapes of Armenia, battling against the Roman Empire and the harsh winter conditions.
In 1915, during the Armenian genocide, a blacksmith named Nazaret is separated from his wife and twin daughters. He embarks on a perilous journey to find his daughters and reunite his family amidst the chaos and violence of war.
In the mountains of Armenia, a team of soldiers and scientists engage in a covert operation to stop a group of terrorists. However, their mission takes a dangerous turn when they stumble upon a nest of prehistoric creatures. Now, they must fight for their lives as they try to escape from the terrifying creatures and survive the harsh environment.
Ararat (2002) is a drama film that explores the Armenian Genocide. An Armenian filmmaker is making a movie about the genocide while facing backlash and denial. The film delves into the personal lives of the characters and their experiences during this dark period of history. It also touches upon themes of identity, art, and the lasting effects of trauma.
Aghet (2010) is a documentary that delves into the events of the Armenian Genocide, shedding light on the mass murder and genocide committed by the Ottoman Empire against the Armenian people during the early 1900s. Through reenactments and historical accounts, the film uncovers the crimes against humanity and the lasting impact it had on the Armenian community. It also explores the international silence and denial surrounding this dark chapter of history.
In 1988, Armenia is struck by a catastrophic earthquake that leaves the country in ruins. As the rescue efforts begin, people are buried alive, buildings collapse, and the city is left in mass destruction. Amidst the chaos, a race against time ensues to save as many lives as possible.
Saroyanland is a docu-drama focusing on the journey of famous writer William Saroyan to the birthplace of his Armenian family Bitlis, in Turkey in 1964. While retaking the same road, the film aims to understand Saroyan's unique attitude to belonging, witnessing the self-discovery of a man who followed the traces of his Armenian ancestors.
Spitak is a movie about the devastating earthquake that struck Armenia in 1988. A group of rescue workers from Moscow and other cities rush to the affected area to save as many lives as possible. The film focuses on their heroic efforts and the challenges they face amidst the chaos and destruction. It also explores the personal stories of some of the characters, highlighting the resilience and determination of the Armenian people.
Soviet Bus Stops is a documentary that explores the stories of the designers who built fascinating architectural marvels during the Soviet regime. %s The film showcases the power of individual creativity that could not be suppressed, and pays homage to the unique bus stops that can be found in various countries like Ukraine, Russia, Belarus, and more. %s Through interviews with art historians, architects, and photographers, the documentary delves into the ideology and imagination behind these bus stops, showcasing the photographer's car journey through different countries, including Tajikistan, Kyrgyzstan, Moldova, Lithuania, and more. %s The film captures the beauty of these brutalist structures as well as the harsh winter conditions they endure, with stunning photography. %s It also examines the connection between Soviet architecture and important historical events like Chernobyl. %s With Skype calls to artists and experts, Soviet Bus Stops provides a comprehensive look at these unique architectural gems and their significance in the former Soviet Republics.
Charlie escapes the Armenian genocide as a boy and goes to the United States. As an adult, he returns to Armenia and is arrested. From his prison cell, he watches an Armenian couple, experiencing their culture and finding solace in their lives.
A group of vigilantes takes on a ruthless drug cartel, using their unique skills and determination to bring justice to the streets.
We Are, Our Mountains is a comedy-drama set in a picturesque Armenian village located in the mountains. The film explores the lives of the villagers, particularly a group of shepherds, as they navigate the challenges and joys of rural life in the Soviet Union. Amidst the stunning landscapes of the Caucasus region, the story delves into the unique culture and traditions of the Armenian countryside, while also highlighting the profound connection between the villagers and their sheep.
Architects of Denial is a documentary film that exposes the horrors of the Armenian Genocide, the systematic mass murder of Armenians by the Ottoman Empire during World War I. The film examines the denial of this genocide by the Turkish government and highlights the importance of recognizing and acknowledging historical atrocities.
Inspired by the incredible true story of a woman who was abducted in the night, torn from her children, and sold into trafficking after her husband lost her in a night of gambling.
Lost and Found in Armenia is a hilarious comedy about an American tourist who gets stranded in a small Armenian village and is unwillingly taken in by an eccentric local woman. As he waits for his ride back to civilization, he finds himself embroiled in all sorts of misadventures and cultural misunderstandings. From navigating the peculiar customs and traditions of the villagers to getting entangled in a love triangle, this fish-out-of-water tale is full of laughs and heartwarming moments.
Our Century is a documentary film that takes a comprehensive look at the significant events, achievements, and challenges of the 20th century. Through archive footage, it covers topics such as the space race, flight advancements, astronaut training, and the impact of technology on humankind. It delves into philosophical ideas and showcases the beauty and destruction of Earth viewed from space. The film also explores the history of Armenia and the achievements of cosmonauts and astronauts. Our Century is a captivating journey through time that highlights the progress of human exploration and the pursuit of knowledge.
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.