The night shift clerk at a sex hotel, suffering from narcolepsy, is faced with a night when things are unusually busy and housekeeping finds a gun in room 6.
At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.
While on the run from zombies, a couple begin to have some relationship issues.
In an alternative present, a man named Sebastian navigates through life, facing various challenges and unexpected events. Amidst a meteorite explosion, a pandemic, and his own personal struggles, Sebastian tries to find meaning and connection.
Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.
Pata Marsilla was at the former nightclub when the tragedy of Cromañón (2004) happened in Argentina. Although he was only seventeen years old, he remembers every step he took that night. His words come alive through a recreation of how a concert turns into horror.
Paloma is a young adult who finds herself living in automatic mode, following every imposed social norm, already working in an office and living alone in a studio apartment. Her daily life passes fleetingly and with little taste, until one night, after a long day of work, she receives an email titled FOR MY FUTURE SELF, which prompts her to change her life.
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
Andrés waits at the wrong bus stop, there he meets Lucía who offers to help him search for the correct stop. Together, they take a journey not only through the beautiful and melancholic city of Córdoba at night, but also through their thoughts and ideas about the city, people, music, and life.
For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'
Remembering his old memories, he will leave a photograph in every place where he was happy.
While he wanders around his house preparing to sentence the fate of an 18-year-old young man, an old judge must deal with the relentless questioning of his distant wife.
Submerged under the blows and fury of the boxing ring, Daniela "La Bonita" Bermúdez, a young and introverted girl, aspires to be someone in life. Raised in a humble family of boxers, Daniela represents her only outlet for her family and she personifies the frustrated dream of her father, manager and coach.
In 1960s Buenos Aires, a highly anticipated movie premieres, shedding light on the Argentinean cinema industry and its history, showcasing the influence of film censorship and the movie business. The documentary explores the impact of the movie on the society and reflects on the cultural and historical significance.