The 1993 Telenorba sit-com written and directed by Gennaro Nunziante. The Show it's a parody, in Apulian dialect sauce, of the Michele Placido starring series "La Piovra" (1984) A bloody feud features two families, the Inpetto and the Sanguellatte. At the origin of it all is a wrong suffered on a Sunday morning many years earlier. Rocco Sanguellatte's mother, intent on preparing the traditional ragout, realized she lacked parsley, essential for seasoning the braciole. She then went to ask for some from across the street, that is, Freddy Inpetto's mother, who, however, apologized, telling her that she had none in the house, dismissing her. Shortly thereafter, Rocco, having met his friend Freddy, noticed something green between his teeth, identifying it precisely as parsley, thus inferring disrespect to his mother and thus beginning the tragedy.
A group of misfits, including a knight, a Jewish man, and a blacksmith, embark on a hilarious adventure to save their town from plague and pirates.
In a not so fictional Italy trying to solve the N.Ε.Ε.Τ. problem, the government decides to reintroduce compulsory conscription for one million young people under 30 who are not studying, working or looking for work, who will have only one month to find real employment and thus avoid the entire year of conscription. Facing this doom four guys try to cheat the system by growing hemp and meanwhile really discovering themselves.
Bari, the last chills of a very cold winter. A gang of petty criminals rummages through the day and night of the suburbs, searching for a precious package sent from the Balkans and destined never to reach its final destination. What does the package contain? Important material for our characters; for the viewer, a passe-partout that opens the door to a jagged and surprising urban undergrowth.
Andreas and Alessandro are two friends who have known each other since their childhood. Now that they have grown up, they study at University in different cities but they always spend the summer together in the place where they were born: a seaside resort that regularly fills up with tourists every year.
Salim and Alì, two Nigerian brothers, work in a tomato field managed by Fulvio, a violent and racist corporal. Alì, as opposed to Salim, lives a life which goes over the legality. One day, Fulvio commands the two brothers to deliver a drug shipment to a notorious local criminal, but on the return something goes wrong. The corporal's son, Vincenzo, will help Salim to escape his father's brutality.
After the Charlie Hebdo shooting events by the hand of jihadist terrorists David wants to bring on stage a play based on the late satyrical cartoonist George Wolinski's comicbook strips, but he struggles to finds cohoperation from institutional figures. He then agrees to direct in a small provincial town a stage play about an apulian folk dance, the Pizzica. Masterminding to disguise the original planned one, with its sexually explicit nature, into the accorded one he will gain the complicity of the curious cast hired on the spot. The start of the rehearsals will arouse excited consensus either censure which will lead to a growing boycott of the staging.
Antonio, a filmmaker running out of ideas, has a vision of the city's patron, St. Nicholas, who asks him to make a film about his true story. So Antonio sets out on a journey in the myth's footsteps, crossing all the countries where the saint is revered. Turkey, Belgium, Holland, France, Russia, all the way to the United States, where he is better known as Santa Claus, i.e., Santa Claus. A journey in the midst of a melting pot of popular cultures and traditions, with all their contradictions, a journey through colors and religious rigor mixed together giving life to a sacred figure who is, at the same time, a consumerist model.
Brindisi, Italy: a focal point in cigarette smuggling. The director returns to her hometown to see what's left of the past and what lies in store for the future.
Italian documentary illustrating the xylella virus devastation of the olive-growing flora in Apulia by the xylella virus. In Apulia, a region in south-eastern Italy, the most serious botanical pandemic of the century is underway: a quarantine bacterium, Xylella Fastidiosa, is killing millions of olive trees. Disrupting landscape, economy and human relations. The Era of Giants narrates Giuseppe’s journey to his father’s land, in the Plain of the Monumental Olive Trees, where the epidemic is imminent. He will have to explain to the old farmer how their lives will be disrupted by this invisible bacterium, hitherto unknown in Italy.
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