A short film with dialogue for Eason Chan's Cantonese single "The Code" 盲婚哑嫁 (also included in most recent album "Chin Up") which was produced as an extended backstory for the music video. Starring Eason Chan himself as a passionate portrait photographer whose wife (played by Cecilia Choi) has passed away. During his grieving process, he oddly encounters the lives of another young couple with a tragic yet optimistic romance tale.
If something of import has taken place in our lifetimes, chances are that Steve McCurry has photographed it, from the wars in the Arab world to the 9/11 attacks. Denis Delestrac’s documentary on the photographer charts McCurry’s journey through a restless life spent on constant move, chronicling our times and living with the intense loneliness and trauma that came along with his work. Today, surrounded by a loving family, McCurry is finally home but never not in the pursuit of color.
Today, the art world and beyond is obsessed with shooting analog. Whether it's a fashion house seeking to bring a new edge to their creative work, an amateur perusing eBay for the perfect vintage Polaroid, or an influencer attempting to capture a comforting retro aesthetic on social media, analog photography has piqued the interest of people everywhere. Is this resurgence a backlash against digital photography? Is it just a trend perpetuated by our desire for authenticity in an increasingly superficial world? Or is it something else entirely? Grain: Analog Renaissance is a documentary by Alex Contell and Tommaso Sacconi that explores the stories of those committed to using film in modern day photography.
Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.
"Surrounded by dozens of soldiers like me, I was led by bus to a remote camp in the desert, a place I knew nothing about. As a military photographer, I collected fragments of moments in my photos, serving as solid evidence for me." Shivtown is the story of an ordinary soldier who, in an intimate and courageous act, revisits memories from his military service through the still images he captured with an analog camera.
Hamlet and Ophelia reckon with their doomed narratives against the backdrop of the similarly doomed pre-Wende Germany and 2020s United States. A short-film adaptation of the 1977 East German Heiner Müller play of the same name.
An international group of women challenge themselves to complete one of the last attempted expeditions to the North Pole, pushing their limits and testing their determination.
Short film of a general landscape about the saturation of the city. 35mm.
Will is a very young boy who inherited his passion for photography from his father. When one day he discovers some photos taken at his house, he will try to figure out what is really hiding behind those shots.
In a high tech profession where photography is seemingly at everyone’s fingertips, Paul Hodgkinson steps back in time to create art using the same historical techniques as the pioneers of his craft.
Two cold colors, although similar, can have different effects: one man whose soul has been drowned by obsession with the color blue, is now addicted, devout, dejected and weak, and the other man, whose head has been consumed by green, something that emanates disgust, completely infects his head, leaving behind only the greenish shadows of an insane man. Infection and devotion, this is the bichromatic man.
Vicente, a retired writer and photographer, faces his present by reconstructing his past.
the ground is bleeding light is the title of an ongoing series of cinematic diaries that emerge from an intuitive process of observation and movement. Each film follows a different long-forgotten path, one of many ancient roads and crossroads that once formed a network connecting human settlements and still function today as invisible signposts through the landscape. This work was created between Indemini and Sant'Abbondio. The footage is partly self-referential, showing me and my working process in moments of interaction between body, camera, and terrain, guided by light, weather, and chance. The sound is a composition of collected sounds recorded during the walks, including the voices of a church choir in Indemini. The 16 mm material was hand-processed on site in a hybrid development process using plants, fungi, and water collected at the locations visited. The films become carriers of the landscape itself, living archives of earth, movement, and memory.
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