Movies and TvShows featuring "algerian-war-1954-62" theme.
North Africa, 1954. The Algerian war of independence begins, a traumatic and extremely violent catastrophe that for eight long years will shake and finally overthrow the foundations of the colonial regime established by France in 1830.
Adapted from Jules Roy's historical novel of the French presence in North Africa, the TV series follows the destiny of two families, the Bouychous and the Parises, from the conquest of Algiers in 1830 to the Independence in 1962.
During the Algerian War (1954-1962), the French Army used chimical weapons, even though they were banned since the 1928 Geneva Protocol. They were used to kill the algerian fighters of the National Liberation Front, hidden in the caves, in the mountains. This documentary unveil this scandal, still widely unknown.
Through the fictionalized lives of two young Saint-Simonians, this television film presents the history of French colonization in Algeria from 1837 to the end of the Second Empire.
Wild Reeds is a powerful French film that follows the lives of four teenagers as they navigate through love, friendship, and the challenges of coming of age in 1960s France. The story centers around François, a sensitive and introspective young man who develops complex relationships with his friends, Maïté and Serge. As the three of them navigate their evolving emotions and discover their true selves, they also grapple with societal expectations and the political turmoil of the Algerian War. Wild Reeds is a poignant exploration of identity, sexuality, and the complexities of teenage years.
Cléo, a singer, spends two hours in Paris as she waits for the results of her biopsy. During this time, she encounters various people and experiences, which make her reflect on her life and confront her anxieties.
The image of French prisoners was very often evoked in Algerian cinema and literature, but until today, no Algerian or even European report or documentary had given voice to one of these French prisoners of the war of Algeria. In the interest of truth and writing history, we set out in search of one of these French witnesses. This witness is René Rouby, prisoner of Amirouche's group for more than 114 days in 1958 in the Akfadou region in Kabylia. This is the first testimony from a French prisoner of the ALN (the National Liberation Army).
On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.
More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.
The Battle of Algiers is a powerful docudrama depicting the violent conflict between the National Liberation Front (FLN) and the French colonial government during the Algerian War of Independence. The film explores the tactics employed by both sides, including guerilla warfare and acts of terrorism, as well as the impact of the conflict on the civilian population. It is based on true events and provides a harrowing account of the Algerian people's fight against oppression.
Mesrine: Killer Instinct is a biographical action crime film based on the life of Jacques Mesrine, a notorious French gangster. The movie follows Mesrine's rise to criminal fame as he carries out a series of bank robberies, kidnappings, and murders, all while eluding the authorities. Set in the 1960s and 1970s, Mesrine's escapades take him from France to Canada, leading to a violent and dramatic confrontation with the police.
Chants d’Automne (Song of Autumn), is a story of daily life on a colonial farm, at the start of the war of liberation in Algeria, describing individual and group behavior in this context. An unthinkable, even dangerous, romantic relationship, born in this context between Catherine, daughter of a settler, and Abdelmalek, son of a blacksmith. Managing his vast property in a feudal manner, Monsieur Marcel whose only ambition is his personal enrichment to the detriment of the community. Everyone fears his authority except his daughter Catherine, a student in France, who returns home during the holidays. She does not stop herself from expressing to him her ideas of justice which go against family and colonial practices. Catherine and Abdelmalek's romance makes relationships increasingly strained, but the call for freedom will be stronger than a woman's love.
May 8, 1945, the day of victory over Nazism, is also a day of mourning. In Algiers, thanks to demonstrations for victory, the Algerian flag appears for the first time, thus claiming independence. But in Sétif, the standard bearer is shot dead at the head of the procession and a riot breaks out. The colonial massacre that followed would extend to all of Constantine. The commission of inquiry never delivered its conclusions and an amnesty law erased the traces of this savage repression. Fifty years later, the file is open.
"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a "pacification" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.
This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.
A French-Algerian woman, who is now a successful real estate agent in France, returns to her hometown in Provence to confront memories from her childhood and her past relationship with a Chinese restaurant owner. As she revisits the places of her youth, she uncovers hidden secrets and confronts the consequences of her actions. Nostalgia, repressed memories, and the complexities of love and identity intertwine as she unravels the truth about her past.
"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.
In 1958 in Paris, during the Algerian War, a young trainee lawyer, Maître Chabrier, was assigned to defend an Algerian garbage collector against paratroopers who had beaten him. Stay out of Algerian affairs, his peers advise him because the trial is taking a political turn. Chabrier acquired the reputation of the Fellaghas' lawyer.
In 1954, during the Algerian War, a teacher in a small village is ordered to escort a prisoner accused of murder to a nearby town. They embark on a dangerous journey through the rugged Atlas Mountains, facing challenges and encountering various characters along the way.