A French woman of African descent manages to escape after being arrested in the Dominican Republic. She finds shelter in the most dangerous district of Santo Domingo, where she is taken in by a group of children. By becoming their protégée and maternal figure, she will see her destiny change inexorably.
Sankofa is a powerful drama that explores the themes of slavery, identity, and freedom. It follows the story of Mona, a modern-day African-American model who finds herself transported back in time to a Caribbean plantation in the 18th century. As she experiences the horrors of slavery firsthand, Mona begins to confront her own past and the legacy of her ancestors. Through her journey of self-realization, she learns the power of resistance and the importance of reclaiming one's own history.
Nwa is a candid, emotional, coming-of-age film about Frantz, a first-generation Haitian-American boy, torn by the decision to get the haircut he knows his strict immigrant father would approve of, or a trendy cut connecting him to the Black American culture he's warned him not to embrace.
Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.
A short drama about a library cleaner who plans a final return to Nigeria, his birth country.
Why do drugs, crime, HIV, poor education, inferiority complexes, low expectations, poverty, corruption, poor health, and underdevelopment plague people of African descent around the world? Why, 500 years after the onset of Slavery and subsequent Colonialism, do Africans still struggle for basic freedom? Filmed in more than twenty countries across five continents, 500 YEARS LATER examines the atrocities that uprooted Africans from their cultures and homeland. Infused with the spirit and music of liberation, it chronicles the struggle of a people who fight for the most essential human right: freedom.
By poet Olivia Douglass, this work has been commissioned by Other Parties in response to Bushman. to, from, gets to the heart of the tensions between the estranged and embodied experiences of the African diaspora.
The film features a group of Afro-Mexican musicians from the Pacific Coast of Mexico. They live with the shore, speaking through their instruments and microphones about the traditions they cherish and the love of their homeland. Their music provides a space for the film to explore, encompassing both the historical depth and cultural characteristics of the local civilization, and paying homage to the people, the sea, and the land that exists here. Here, music not only flows with sheer beauty and passion, but is also the language that unites people.
In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.
Harriet's extraordinary gift to absorb and take on anyone's pain, makes her money but could ultimately destroy her.
Idea is a dark comedy short film set in Africa, exploring the themes of African diaspora and art. The story follows a group of artists as they navigate their creative journey and delve into the complexities of identity, culture, and self-expression. With a unique blend of wit and satire, Idea offers a thought-provoking exploration of the African experience.
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