Cobra Kai is a TV show set 30 years after the film 'The Karate Kid.' It follows the story of Johnny Lawrence, a former bully and now middle-aged man, who reopens the Cobra Kai karate dojo. This sparks a rivalry between Cobra Kai and Miyagi-Do, another karate dojo led by Johnny's former opponent, Daniel LaRusso. The show explores themes of redemption, father-son relationships, and the complexities of teenage life.
1950s period drama based on the true story of a housewife and mother whose life is turned upside down by a handsome Polish man at her local dance hall.
When an advertising executive returns to her small hometown for Christmas, she discovers a dying wish from her aunt which involves competing in a baking contest against her childhood friend. As they work together to win the contest and fulfill the aunt's wish, old feelings start to resurface, leading to a rekindled romance.
Following a tragic accident in 1977, the three Winters siblings move into the mysterious home they inherited. They soon discover the house holds dark secrets that seek to threaten everything they hold dear. Convinced the strange occurrences are a result of trauma, they seek out logical explanations with little success. They look to the help of a parapsychologist as the supernatural forces become life threatening. With time running out, will they be able to survive the dark entities?
James Stanton and John Lane meet 30 years after graduating from Yale to decide the winner of a bet as to who is the more successful.
Derek Jarman’s Will You Dance with Me? is an essential document of LGBTQ London that was unseen until 2014, 30 years after it was originally shot. In September 1984, Jarman was invited by director Ron Peck and writer Mark Ayres to record improvisations at Benjy’s, a gay club in East London’s Mile End district, as part of the early experimental work for their feature film Empire State, a neo-noir that would be released in 1987. The coed, racially diverse crowd of roughly 100 people at Benjiy’s that night included club regulars, bar staff, and potential players in Empire State. Every single detail captured in Jarman’s on-location assignment abounds with era-specific riches: from the New Romantic cutie journaling while nestled in a corner booth to the DJ’s cheerful exhortations and the songs he spins (“Let the Music Play,” “Planet Rock,” “Relax").
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