Nicole Védrès' chronicle of Paris from 1900 to 1914 is brought to life through the use of original material, all authentic, secured from more then 700 films belonging to public and private collections. A few of the celebrities of the time shown are Enrico Caruso, Sarah Bernhardt, and Maurice Chevalier.
The picture opens with a crowd of Swiss boys and girls dressed in native costumes, marching down the street in this very unique and picturesque village. Each happy and smiling face is clearly shown as they pass the camera. The scene ends by the boys and girls congregating in the square and dancing to the strains of an accordion played by one of the happy villagers.
The movie consists solely of a saber fight. Bernhardt plays a cross-gender Hamlet, and Pierre Magnier is her fellow duelist, Laertes. A few bystanders, in Rennaissance dress, stand off to the right of the screen, and in the background, next to a painted backdrop.
“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog)
A wildcat escapes from the zoo, disguises herself as a skunk to fool her pursuers, but that only attracts lovestruck Pepe le Pew.
Considered the first motion picture to employ both color and sound, the only film record ever made of the original star of Rostand's famous play performing a scene from his most famous role. It is accompanied by a sound-on-cylinder recording of Coquelin's voice reciting one of Cyrano's speeches.
People riding on a moving platform / walkway.
“Showing the entire height of this wonderful structure from the base of the dome and return, with the great Paris Exposition in the background, looking down Champs de Mars. A most realistic picture.” According to Edison film historian Charles Musser, this film features the first camera tilt among the company's surviving oeuvre.
The single camera position is from the top of a building identified as the Trocadero Palace; The camera is pointed toward the Eiffel Tower. The film shows only up to the first arch of the Eiffel Tower.
Taken from an automobile. This picture was taken during the fashionable driving hour, making a complete circle of the Place de la Concorde, passing hundreds of carriages and busses. The beginning of the picture shows the historical church of the Madeleine in the background, the picture ending by approaching and running under the main entrance to the Paris Exposition.
A panoramic shot, making a full circle, at the 1900 Paris Exposition. It begins and ends looking at the front of the Palace of Electricity. As it pans, first we see a workman hosing down the promenade. Men and women walk past, all wearing hats. We see the base of the Eiffel Tower, which the Palace faces. A couple strolls. A mother and daughter walk passed, father is slightly ahead wearing a boater. Three men in uniform walk toward the camera as it comes to a stop facing the Palace.
The scene opens by showing the village girls driving home a herd of cows, and shows the native peasantry of Switzerland returning from their daily occupation watching the herds. After driving the cattle to their shelter, the boys and girls congregate in front of the old barn and go through a native dance, to the amusement of the spectators. These pictures are marvelously clear and distinct, showing every feature of the participants.
Stairs from the Pont de l'Alma.
The Lumière Brothers' First Films is a documentary that explores the early cinematic works of the Lumière brothers, who were among the first filmmakers in history. The film takes viewers on a journey through the Lumières' groundbreaking films, showcasing their unique style and the impact they had on the development of cinema. From scenes of everyday life to depictions of historical events, The Lumière Brothers' First Films offers a fascinating glimpse into the birth of cinema.
About the Lumière brothers
An early short with a self-explanatory title.
Shows all the prominent buildings on this thoroughfare, ending with a close view of the base of the Eiffel Tower, with the Trocadero Palace in the background.
Beginning with the camera pointing toward the Invalides entrance, with the tomb of Napoleon in the background. The camera is slowly revolved until it rests upon the new and beautiful bridge of Alexander III, showing the immense crowds entertaining the Exposition.
This panoramic scene is taken from a Seine steamboat and gives a rapid view of the banks of the river...
The 1900 Paris World's Fair as seen from Trocadéro.