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A murder is committed aboard a cruise ship just before it sinks in a storm. The survivors, including the killer, land on a mysterious jungle island.
Civil engineer Robert Clay is commissioned by wealthy New Yorker Mr. Langham to open iron deposits in the tiny South American republic of Olancho. General Mendoza, the unscrupulous head of the army, unsuccessfully tries to persuade President Alvarez, and then Clay, to divide the spoils of the contract.
In Pardon Us, a group of inmates, Stan and Ollie, escape from prison and end up posing as a blackface minstrel show to hide from the police. They get involved in various comedic situations, including a prison riot, a rescue from a fire, and smuggling contraband. As they try to navigate their way through these challenges, they form bonds with their fellow inmates and learn valuable lessons about friendship and loyalty.
The queen of a mythical European nation flees to America when a general threatens to overthrow her government.
A bumbling student named Stanley enrolls at Oxford University and wreaks havoc with his clumsy nature. He becomes involved in various comedic misadventures, including getting entangled in a reward scheme, hitchhiking with a portrait, and causing chaos at a formal dinner party. Along the way, he also encounters practical jokes, exploding cigars, and a ghost costume. Will Stanley be able to navigate his way through the chaos and succeed at Oxford?
A Greek man falls for an injured French woman. When he is informed of her death, he continues to sing under her hospital window every night.
In 'The Lonedale Operator,' a courageous telegraph operator finds herself caught in the middle of a train robbery. With her quick thinking and resourcefulness, she must find a way to outsmart the robbers and save the day.
A girl tries to protect her trust against a robbery whilst being kidnapped and saved by a tramp
To increase profits for his shipping company, Lynch has goaded the Indians to attack both the telegraph line and the new railroad. When Lynch sells rifles to the Indians, Rod Farrell captures Lynch and his gang. But Lynch's Indian friends free him and this time Farrell finds himself the prisoner.
A DA's son gets involved in a drug-related murder, and it's up to his father and sister to get him out.
Joe Tomasso is an Italian-American bookmaker and gambler who, outwardly, is hard but soft-hearted inwardly. He becomes fond of a homeless waif, Jackie Curtis, and begins to look upon him as the son he never had. But when Jackie's mother appears, Joe has a hard decision to make.
Judge Robert Appleton (Winter Hall) has led an exemplary life. His four children, however, fell short once they grew up and had to fend for themselves. When Appleton dies, his widow (Lydia Knott) explains that his last request was that each child spend one hour of contemplation with his body. The first is the youngest daughter, Daisy (Rosemary Theby), an artist of note who was betrayed and left with a son to raise out of wedlock. Next is Luke (Milton Sills), a wild young man who ran away at 19, and even though he is now married and a father, he still can't quite settle down. The eldest son, Bob (Wilfred Lucas), is next -- he wed a wealthy woman, but the marriage has no love.
His Trust is a short silent film that explores themes of trust, morality, and racial stereotypes during the American Civil War. The film portrays the challenges faced by individuals during a time of conflict and raises important questions about the nature of trust and the impact of racial stereotypes. Through compelling storytelling and powerful imagery, His Trust provides a thought-provoking glimpse into a turbulent period in American history.
When a smart-alec street kid's father, a policeman, is killed in the line of duty, the boy turns over a new leaf and goes to work to support his mother, brothers, and sisters. He gets a job as an usher in a theater but really wants to become a policeman to avenge the death of his father. He soon finds himself involved in a fake kidnapping, real gangsters and a tip on the identity of the man who killed his dad.
A burlesque impresario is hired to help the failing fortunes of an old opera company.
A crusader tries to keep a dope dealer from corrupting children.
An eclectic group of people are stalked by a masked killer in an old mansion.
A thin gent in formal wear, amid a club or party, reads a book about primitive man after he's ignored by a pretty lady. We see the book enacted: Weakhands loses his girlfriend to Bruteforce, but chances upon a design for a weapon to vanquish his rival and win her back. His tribe sees this and sets him up as their leader. With the club, he fends off various creatures (a winged lizard, a snake, a dinosaur) and a rival tribe led by Monkeywalk. The women even manage to repel an attack. But the rival tribe discovers the secret of the club themselves, and capture the women. Weakhands, sitting in despair, chances upon a new weapon: the bow and arrow.
The Arizona Kid (Warner Baxter) carries out his mission as a Robin Hood-type bandit while posing as a wealthy and carefree miner. He falls for an eastern girl, Virginia Hoyt (Carole Lombard), accompanied by presumably her brother, Dick Hoyt (Theodore von Eltz), actually her husband. The Kid's mine is raided and two of his friends are killed and he learns that Dick and Virginia are the culprits...
Hard-working insurance company bookkeeper John Carter, comes home Easter eve to his suburban cottage with a potted lily for his loving wife and two daughters. The Carters live happily until cashier Charles Ryder is murdered by the night watchman, a "coke sniffer" in need of money, and Carter is accused because he worked with Ryder that evening.
Wilfred Lucas
From Wikipedia, the free encyclopedia Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter. Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith. At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years. In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years. In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance. Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios. Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford. During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
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