Sister Agnes helps in all situations and does not only make friends. She has just fallen out with the new mayor. The consequences leave an entire community upside down.

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.

This East German movie was co-produced with studios in Hungary and Yugoslavia, with many interesting location shots (border checkpoint to West Berlin, the Gellert bath in Budapest, and more). The plot is about French drug dealers, who obtain heroin somewhere in the Middle East, and smuggle it in several steps to East Berlin, and from there to France (or so it appears), killing when necessary. The hero is an officer of East German customs, who with detective work, some masquerade, and occasional violent action ultimately unravels the whole network, of course with the support of the local customs departments.

In the nineteenth century, seventeen year old Effi Briest is married to the older Baron von Instetten and moves into a house that she believes has a ghost.

Berlin at the end of the 1940s. Anneliese Weyher is working as a switchboard operator. She is living with her aunt after losing her parents in the war – a stroke of fate that has thrown the young woman off course emotionally. Indifferently, she is doing her work; her private life consists of an affair with a black-marketeer. Even when Anneliese witnesses an armed robbery, committed by infamous Wollnick and his gang, she stays lethargic and apathetic – she keeps silent instead of helping the inspector who is a friend of her aunt. It is not until Anneliese by coincidence meets her former lover, the watchmaker Kurt, that her life seems to take a positive turn.

Karin, who is in her mid-thirties, works as registrar but has been divorced for several years. Together with her 16-year old daughter Nora, she leads a happy and independent life. Then, she finds a new partner in the mathematician Peter, but does not tell her daughter about him. When Peter proposes marriage, Karin always comes up with new excuses why such a step is still too early for her. She mainly fears that Nora would not be able to cope with another marriage of her mother. But when Peter cannot be dissuaded anymore by her excuses and finally wants to marry her, Karin comes up with a bizarre plan.

Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.

August 24, 1937: a day in the life of expressionist sculptor and author Ernst Barlach (Fred Düren). Barlach lives in the small town of Güstrow, keeping to himself and wanting to steer clear of politics. On this day he learns that the Nazis have dragged his famous 1927 sculpture The Hovering Angel out of the Güstrow Cathedral. Barlach begins to reflect on his life of “inner emigration” and on his work.

Although at first Ina barely takes any notice of Matti, the two teenagers gradually fall in love at their dance classes and begin their first real relationship. Their parents are upset about this development and try to prevent their children from seeing each other. But Ina and Matti continue to meet in secret and their first sexual experience together brings mixed feelings for Ina.