In post-Civil War Spain, a young girl named Ana explores her vivid imagination to escape the harsh reality of her surroundings. She becomes fascinated with the movie 'The Spirit of the Beehive' and its mysterious character, Frankenstein. As the lines between fantasy and reality blur, Ana embarks on a journey of self-discovery and understanding.
During the filming of a movie, a Spanish actor mysteriously disappears. The police believe he had an accident at a cliff but his body is never found. Many years later, the mystery resurfaces in the present day.
El Sur is a coming-of-age drama set in 1950s Spain. It follows the story of a young girl who discovers a family secret while growing up in the aftermath of the war. The film explores themes of memory, childhood, and the impact of the past on the present.
Ten Minutes Older: The Trumpet is a collection of short films that explore the concept of time and its impact on human experience. Through various artistic styles and storytelling techniques, the film offers a unique perspective on the passage of time and its significance in our lives. From moments of anticipation to reflections on the past, each short film presents a different aspect of the human relationship with time.
In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.
Los desafíos presents three separate stories that are linked by an American presence in Spain in the 1960s, with Dean Selmier playing the role of the American male in all three.
Dream of Light is a poetic documentary that follows a painter's journey in search of artistic creation. The film showcases the painter's fascination with the quince tree and his connection to nature. It weaves together themes of agriculture, art, and biography, providing a deep insight into the painter's life and work.
Isabel returns to Spain, after several years of absence, to be cured of a neurosis. His daughter Ana, whom he has not seen in all this time, decides to spend the holidays with her, taking advantage of the fact that her boyfriend has gone to study in Germany. During her stay in the sanatorium, Ana meets Mario, an attractive young man somewhat unbalanced, who tries to seduce her. Although at first she does not show any interest, little by little she becomes attracted to him.
Four voices and their visions of Guimarães, cradle city of the Portuguese nation and European Capital of Culture in 2012.
Apuntes is a sort of prologue to ‘The Quince Tree Sun’. With images shot by Erice in the Summer of 1990, as he was preparing such film, observing how the painter Antonio López worked. Erice wrote and selected the texts which illustrate them. Apuntes is split in 6 parts to show López’s 6 projects.
This film project was made in 1996 to commemorate the 100th anniversary of the birth of the cinema.
A married woman living in France returns to Madrid to bury her father.
Relationships and multiple influences between two great directors of modern cinema.
Part of the collective feature film 3.11 Sense of Home
Short film made by Víctor Erice during his time at the Official School of Cinematography
Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone as Sherlock Holmes. The remembrances of such a formative cinematic experience leads him to recall the dark days after the end of the Spanish Civil War, to confess the many fears stalking children and to reflect on the nature of memory itself.
Life through a glass, life through a lens, life through a camera. Fade to black. General view of the access to a factory with a big wheel.
Filmed in 1963, but not released in Spain until 1967, the film depicts the failed romance between a bourgeois french tourist girl and a spanish working class boy.
In a school in Extremadura in a town called Arroyo de la Luz, the teacher shows children of about ten years the subtitled Kiarostami film "Where is my friend's house?" and makes them reflect on the moral dilemma about friendship and obedience posed by the film