A large, time-worn house sits on a towering, untouchable pedestal. Ressaca Bailada – Filme Concerto follows individuals as they navigate their relationship with freedom, unity, and isolation within this setting. Celebrating tradition while confronting and questioning it, all against a backdrop of music that shapes the journey.

The fearless race of the 1920's Portuguese aviation pioneers to cross the South Atlantic Ocean through aerial navigation, became an epic story of the modern age argonauts. In order to reach the stars - sailing is necessary- navigandum est.

Adaptation of the novel of the same name, by João Ricardo Pedro.

In a terrifying Portuguese village, there is a legend. The legend of the wolf child. Desired and born on a full moon night, it all started when a young peasant girl, desperate for a child, asked a creature of the forest for a wish. The desire? A child she could call hers. But the forest creature curses the woman. When grow up, the child will bring teeth and blood to the village. Years pass, the child becomes a man, tormented and persecuted by the villagers, torn between his animalistic nature and a friendship with a young witch. The boy has to find out who, or what, he is. Together, the wolf child and the witch will try to break the curse and find their place in the world. 16 years after "Coisa Ruim", Frederico Serra returns to the legends and traditions of deep Portugal.

Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.

A football player and part-time fisherman starts to clean the beach he lives next to.

A portrait of a first relationship, previous to the external world, the one of the family. In a winter in Lisbon, father, mother, son and daughter trace the path of a day by themselves. A film that develops through characters who have for their antagonist life itself, with nothing (and everything) heroic about it.

From a certain idea of Rousseauian rural purity, “Colmeal” is settled in the small homonymous village located in Riba-Côa, also known as ghost village, due to the effects of the rural exodus and the inland desertification. In an allegorical way, quite worked on the natural elements and the sound elements, the film tells the story of a young man who lives isolated and who obsessed by a woman who comes from the city to spend her summer vacation. Gradually, the young man tries to overcome the inability to deal with his emotions, seeking to discover himself, emotionally and sexually. Márcio Laranjeira and Sérgio Brás d’Almeida are debutants in Curtas Vila do Conde and propose a return to the themes of growing pains and transition to adulthood, with young people trying to find their place in the world and to define their personality, especially in context of social and loving relationships.

A study about memory, an example of obsession or a prison in itself. Rodrigo chooses to submerge himself in a memory, regardless of what got him there or what might happen. Within this dream Rodrigo is happy. When confronted by the memory itself we are left with a question, is this a cry of victory, or the acclamation of defeat?

At an abandoned chapel a teenager gives herself to a boy, unsuspecting of what's lurking in the shadows.