Ro.Go.Pa.G. (1963) is an Italian anthology film consisting of four segments, each directed by a different filmmaker. The film satirizes and explores various themes such as self-reflection, controversy, obsession, jealousy, gluttony, and death. It features elements of surrealism, dark comedy, and political satire.

The World's Most Beautiful Swindlers is an anthology film that showcases the adventures of swindlers in various cities such as Tokyo, Paris, Naples, and Amsterdam. Each story follows different con artists as they deceive unsuspecting victims, revealing the art of the con.

100 years ago, a terrible earthquake, followed by an equally terrible tidal wave, devastated and largely destroyed Messina and Reggio Calabria.

Gregoretti's last film, in which the great filmmaker, documentary maker and journalist retraces his activity with irony and light-heartedness. Through episodes of his personal and professional life, and images of his films and television programs, a humorous story of how we were to understand that now, in reality, we are not so different.

Gregoretti's Il pollo ruspante ("Free Range Chicken") shows an Italian middle-class family with two children traveling via an autostrada (highway) to the site of a real-estate project where they could be interested in buying a detached house.

The film's theme is four episodes that offer the public a glimpse into the lives of rich and poor families in Italy in the 1960s.

Centers on a band of hookers who listen to their pimp and seek out old men in retirement villages. They convince the old fellows to marry them so they will not be forced to leave the city. Unfortunately for the pimp, the delighted geezers will not allow their brides to work.

An alien takes over the body of a factory worker in order to learn about Earth so his race can take it over.

Professor Serafino Benvenuti is a master of classical music who has the passion of the orchestra director. However, the young audience of the 60 does not appreciate classical composers like Mozart or Beethoven, and so Serafino is likely to have compromised his image as a director. One day Serafino receives the news that his adopted daughter Rita is about to return to Italy from America, where she is studying. Serafino is very happy, because at least he can teach her the real music. However, Rita is deeply grown and changed: she follows the musical patterns of her time: the rock music and blues. Serafino gets very angry, especially when he discovers that his daughter falls in love with a young man, a member of a band called "The Rockets.

This documentary looks at strange behaviors and practices in Europe, including nude skiing in Switzerland, hot-butchering in Italy, and an orgy in a graveyard.

An hour with Roberto Rossellini. Interviewed by Gregoretti, the director of Paisà and Europa 51 retraces his life, his work, his relationship with the young critics of the Cahiers du Cinéma who would become the authors of the French New Wave, but also talks about his participation in the May '68 events in Paris. Passing from one theme to another emerges the thought of one of the key figures of the last century and not only in the cinematographic field, a lucid and passionate vision, typical of Rossellini, which combines science, conscience and knowledge and an obstinate faith in the capacities of Man.

Falling somewhere in-between a documentary and a droll drama (more like an enactment of reality, with a wink), this film by TV director Ugo Gregoretti looks in on a variety of social and ethnic situations throughout Italy. Sexual morés are contrasted, from the quaintly out-of-date courtship in Sicily to the sometimes uncomfortably explicit sexual references in the conversations of the youth at the opposite end of the country. Aside from these manners and morals, there is an examination of what happens when mechanized tools of production begin to take away from the human element at factories and in other industrial venues.

The film documents the trade union battle of the workers of the Apollon printing house in Rome, occupied for a few months after the management decided to fire all the personnel and sell the land on which the factory was standing. In the form of a docu-fiction, the events of the long occupation are reconstructed, which began on June 4, 1967 and ended in December 1968. The workers play themselves and various other roles, but they are also co-authors of the film, which is not a simple chronicle of events, but an analytical reading of the reality of the factory, the story of the conquest of instruments of struggle and democracy, with the indication of strategies of attack on the bosses' power. The narrative voice of Gian Maria Volonté gives continuity to the story and comments on the events.

Factory workers struggles over contracts in post-68 Italy documented through original footage.