In 19th century London, Sweeney Todd, a barber, teams up with a baker to seek revenge on the corrupt judge who framed him and destroyed his family. Todd's plan involves murdering his customers and turning them into meat pies, with the baker unknowingly serving the victims to the public. As Todd's bloodlust grows, he becomes more ruthless and cunning, eventually descending into madness.
Set in France during the French Third Republic in the year 1880, a banker is accused of theft and murder after receiving an anonymous letter. As he tries to clear his name, he discovers a treacherous plot and must navigate a police investigation, betrayal, and a mysterious figure appearing at a window. Along the way, he encounters a werewolf and uncovers dark secrets hidden within an old dark house.
A sinister crook is implicated in blackmail, greed for emeralds, a secret formula and murder. Thee episodes from a 1952 British television series called "Inspector Morley, Late of Scotland Yard, Investigates" were joined together and released theatrically.
A man is accused of a series of murders that were actually committed by a crazed killer called "The Tiger." He must prove his innocence and catch the murderer.
In 1820s rural England, a young girl is tricked by tales of marriage from a villainous Squire. When she becomes pregnant and disappears, a gipsy lad is blamed.
The film begins in a BBC studio with the 100th edition of "In Town Tonight". Flotsam and Jetsom open with a "topical number". Then there is an interview with a distinguished actor, which dissolves into a performance of one of his famous melodramas about a wicked moneylender etc.
Darby is a blind girl and Joan is her elder sister. The story revolves around Joan's passion for Yorke - an idle scamp - and her marriage to his uncle, the family benefactor.
In 'Crimes at the Dark House,' a pregnant woman is brutally murdered, setting off a chain of events that uncover hidden secrets and a case of stolen identity. As the story unfolds, the audience is taken through a suspenseful journey filled with twists and turns, as the characters navigate the dark underbelly of society. With elements of crime, drama, and horror, this movie explores themes of inheritance, insanity, and deception. Set in a hauntingly beautiful backdrop, the film keeps viewers on the edge of their seats until the nail-biting conclusion.
Sexton Blake and Tinker foil criminal plot connected with the Tongs, and master-minded by "famous stamp collector" and millionaire.
An evil prison administrator cruelly abuses the inmates at his prison, until one day the tables are turned.
Hart and Moore are grave-robbers who provide cadavers to the medical students of 19th-century Edinburgh. When the supply becomes low and demand still great, the two decide to create their own supply, a plan that proves profitable when they stick to vagrants, prostitutes and drunkards. But when they poison likable Jamie, the townsfolk retaliate. NB: This film was originally written to be about Burke and Hare, but after it was completed, the British censors refused to allow its release on the grounds those names themselves were offensive; thus the entire soundtrack was recut so that new names - Hart and Moore - recorded by the film's actors, were cut into the previously recorded lines, replacing the offending "Burke" or "Hare", sentence by sentence.
Tod Slaughter goes about the countryside strangling everybody. His evil scheme is to destroy the family who wronged him. He has a secret lab complete with a torture chamber, featured in the films climax. Probably the most maniacal portrayal Tod ever gave.
A manor caretaker relates the tale of a mad squire, and vanishes.
A flagrant plug for the trusty safety razor disguised as a comic history of shaving, this witty treat was made by EVH Emmett, whose sardonic tones graced many an educational film in the 1930s and 40s. Jumping from the Bronze Age to Ancient Egypt to the dicey barbers of Victorian England (cue Tod Slaughter hamming it up in "Britain's most fruity drama", Sweeney Todd), the film follows the development and mass production of King Camp Gillette's 1890s invention.
After the Local council he works for decides to replace its horse-drawn services with motor vehicles, one of the drivers spends his savings to buy the horse. Together they search the countryside looking for work, and meeting an assorted group of characters on the way.
A former police detective turned private investigator is approached by two elderly sisters, who say that someone is terrorising them, but it turns out that the man they believe is responsible is long since dead.
This rare film of stage actor and later cinema star Tod Slaughter opens with a view of St Paul's over the river and the bright lights of Piccadilly at night. Then the film moves off to the old Elephant Theatre on the New Kent Road, where Slaughter stars in a military melodrama. After the show, the film ends with a look at the Rowton House in Southwark, a hostel for the poor much admired by George Orwell.
Tod Slaughter introduces himself in brief vignettes of some of his most famous parts (Sweeney Todd, Squire William Corder, etc.)
Tod Slaughter’s last big screen appearance on camera, delivering a Sweeney Todd monologue.