Based -- loosely -- on Leo Tolstoy, this film starred feted stage star Nance O'Neil but is rather better remembered as Theda Bara's follow-up to the sensational A Fool There Was (1914).
Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.
Italian peasant girl deserts her fiancé for wealthy gangster and departs for America.
Theda Bara does her usual vamp turn in this picture, but this time she's a vamp who turns out to have a heart of gold. Her character, Blanchette DuMonde, is known as "the wickedest woman in Paris," and because of this sordid reputation, she is not allowed to serve as a nurse during World War I. So she becomes an Apache dancer instead.
The story of Cleopatra, the fabulous queen of Egypt, and the epic romances between her and the greatest men of Rome, Julius Caesar and Antony. Only a small fragment of this film survives.
Theda Bara plays a Javanese priestess who elopes with an English military officer (Hugh Thompson). Bara's Bavahari becomes a celebrated dancer but is murdered onstage by a vengeful Buddhist priest (Victor Kennard).
"My heart is ice, my passion consuming fire. Let men beware," exclaimed Theda Bara (via an inter-title, of course) in this "Vamp" melodrama based on Grabriele D'Annunzio's 1898 story La Gioconda.
Peasant girl Vania is assaulted by a duke who murders her lover and sends her away to London.
Marie Bernais, a Breton village girl, possesses a wonderful voice which her father believes is a gift from the devil. Raoul Nieppe loves her, but fears marrying below his social status, and his rejection results in a suicide attempt by Marie. She is rescued by Hector Remey who was once a tenor but is now a showman. Because of his assistance, she becomes a famous singer.
In A Fool There Was, a married man falls under the spell of a seductive woman, leading to his downfall and ruin. This silent film explores themes of infidelity, manipulation, and the destructive power of desire. The film has been recognized for its portrayal of a femme fatale and is included in the National Film Registry.
As described in a film magazine, when Maria Valverda (Bara) refuses the attentions of Diablo Ramirez (Nye), he starts an insurrection among the native Filipinos. Maria's father Don Ramon is killed and Maria is held hostage. She gets word to Capt. Paul Winter (Roscoe) of the American troops in Manila and he comes to her assistance, but his troops are outnumbered and they are made prisoners by the revolting revolutionists. Maria and Paul attempt to escape, but they are caught and brought back. At the Manila headquarters, trouble is suspected and reinforcements are sent. Before long, the revolt is subdued and peace reigns over Maria's home, and happiness over the betrothal of Maria and Paul. This film is lost.
Francesca Brabaut, who married an artist against her father's advice, regrets her decision when her husband Antoine, in debt, sends her to his misanthropic uncle to plead for money.
An ambitious bank teller (Edward Jose) steals a large deposit and starts life over under an assumed name. While he is becoming a lawyer and making his way up the ladder of success with the help of a political boss, the wife he left behind (Eleanor Woodruff) remains destitute and is forced to give up her child to an orphanage. The girl is adopted and grows up (played as an adult by Virginia Pearson) to become the secretary to an honest young lawyer. But the girl has the same quirk that her father had, and it causes her to steal a bracelet at a department store. She is arrested and finds herself before her father, who is now a judge.
Pioneer filmmaker J. Stuart Blackton was intrigued by the idea of a film about the history of the movies as early as 1915. He finally released a 52-minute feature called The Film Parade that was shown in New York and favorably reviewed by "Variety" in 1933. He continued tinkering with the film for the rest of the decade, and later filmmakers and distributors used Blackton's footage for stock or to produce their own variously titled and truncated versions. -UCLA Film & Television Archive
In this lost film, Theda Bara took the role of spoiled, deceiving nymphomaniac "vixen" Elsie Drummond. She wooed Wall Street businessman Martin Stevens (A. H. Van Buren) away from his interest in her sweet sister Helen (Mary G. Martin). She continued to seek after rich men, eventually marrying young statesman Knowles Murray (Herbert Heyes) (again stolen from Helen) - but still willing to be unfaithful with Stevens who had since regained his fortune. (filmsite.org)
A Spanish soldier falls under the spell of a fiery gypsy girl named Carmen. His obsession with her leads to his ruin.
This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).
Mary Doone (Theda Bara) is a poor British girl who runs away from her adopted family because the father made a pass at her. She lives at a parish house, and at the outbreak of World War I, she becomes a Red Cross nurse.
Fernande marries a man and schemes to get his wealth when his expected death occurs. But he dies before he can change his will. She next tries to kill the son who inherits, but he outfoxes her.