In 1980s USSR, the Elista Children's Hospital is hit by the country's first major HIV outbreak. Over 70 children and several adults are infected, and now everyone, including doctors, patients, and relatives, must strive to maintain their human dignity in the face of this incurable disease.

The Shatalov family plays an important role in the life of their neighborhood. The head of the family, Alyona, runs a management company that serves the whole quarter. Her husband Mikhail is a doctor at the district polyclinic, and their 20—year-old son Artyom serves as a district police officer. Every day, this magnificent family solves the everyday and everyday problems of the residents of their area, constantly getting into funny and curious situations. But one day the Shatalovs' personal problems grow to the scale of a domestic disaster.

Based on a real case in Siberia, a woman lost in the taiga is forced to wander with several families engaged in hunting.

“Great Poetry” is about two guys who live on the outskirts of Moscow and work as cash collectors. They’re young, lonely, and all they have in the world is each other. They spend their lives moving money for other people. They attend a poetry class at the local cultural center and watch cockfights at a dorm for migrant workers. Their attempts at finding poetry in the prosaic world around lead them to the conclusion that the only poetic move they can make is to rob a bank. The film isn’t about words or rhymes. It’s about friendship and betrayal, and about our vicious and alien world in which anyone who tries to be honest and consistent ends up looking naïve and cruel. It’s about the everpresent and incomprehensible force that — in spite of everything — makes our life so frantic, strange, and lonely

A young doctor serving cotton growers goes to the city. On the highway, when trying to overtake a motorcade, the traffic police stops the car. The events that take place next are an accurate and witty model of a life permeated through and through with absurd relationships, ridiculous demands and inexplicable prohibitions...

Russia, early 90s. Mariya, the owner of a small video rental store in an abandoned cinema, has her son disappear under strange circumstances. To understand what happened and find her son, Mariya has to cross the path of crime boss Egor Bocharov, make friends with fugitive criminal Dmitriy Shilin, reveal the secret of the ghost living in the cinema and find out how he is connected with the mysterious film number 8.

Anticipation of Love has settled in the heart of a young lady. The boundaries between dream and passion are very elusive. Life is full of physical deprivations and, of course, sensual pleasures, and the deep meaning of that all is Love. The deeper the feeling, the more intense the emotions. Each girl dreams about meeting her love one day. An experienced man helps her discover the world of passion and senses, and brings her to ‘heaven’s gate’ where the two of them will prevail. One can only imagine how many hearts were broken along the way to master the science of love. But passion blinds and soon the man becomes slave to the young woman’s sensual body. The carnal knowledge makes the girl try to subdue her love object. This is what the last film by Kim Ki-duk, shot in summer 2019 in Kyrgyzstan, is all about. The film was finished by Kim’s friends and colleagues after he unexpectedly passed away in December 2020.

In the last days of the war after the special task group of the major Gorelov returns to his. Soon tankers learn that fascists are going to blow up secret plant where about two thousand prisoners of war work: french, british and americans. Despite the small forces (25 soldiers, 2 tanks, a gun and 2 trucks), the major decides at all costs to save from the death of unarmed people. The group decides to go Gorelova allies to the rescue…

Gleb is a golden youth boy, an idler living a lavish life. He believes he’s not obliged to comply with any rules. But one night during a street race he knocks down a man, and is about to go to prison. His wealthy and influential father has all the power to save his son from prison. But he wants Gleb to reconsider life values, and brings the young boy to a northern village far away from civilization.

Uzbek citizen Yury Derbenev is sent to work in Moscow to raise money for the treatment of a seriously ill daughter. His profession, however, is inappropriate: Yury Alexeevich is a teacher of Russian language and literature. And by nationality he is Russian. After many ordeals and misfortunes into which the capital plunged him, Yury is faced with a choice: to go to kill and save his own daughter or remain an honest person.

This movie is about the life of Marat Ayumov, a former soldier from Kazakhstan who fought in Afghaninstan. The past and present are interwoven in the memories of the protagonist. Throughout the film, in fragmented flashbacks, the hero recollects the time when he, as a soldier, fought in the armed conflict in the mountainous country as he travels to Afghanistan to accompany a young and creative TV crew making a documentary called “Following Alexander the Great”.

Having lived in Moscow for many years, successful political consultant Aldar returns to his home in Kalmykia to search for his mother who disappeared in the Steppe. He finds her with the help of the local shaman, and together they make the journey that they didn’t have time to take when she was still alive.

Border guard Andrei discovers hiding places where drug dealers hide huge quantities of heroin while crossing the Afghan border. In revenge for their colossal losses, the bandits decide to execute Andrey. Miraculously escaping death, he not only settles accounts with his executioners and exposes a major drug mafia, but also wins his love.

The story is about inspectors-conservationists who come to grips with poachers and save a woman and her daughter at the cost of their own lives.

Here, among the scorched by hot steppe and salty sea winds, on the fragments of a lost life of a forgotten coastal village, mother Era and son Andrey settle in a small house. And also a love that resists the indifference of the rest of the world, and in this love there is everything - hope and despair, strength and weakness, truth and lies, freedom and slavery.

Sergey Gusev, a thirty years old engineer from Moscow is kidnapped and forced to work in a mine.

The sea vanished without any trace. Where the waves had once splashed, the bottom is cracked from the heat. Here, at the same depth, people stayed to live. An old fisherman, who is trying to escape from the past. The border guard, who changed his boat to jeep for patrol the state border. Former official, who because of other people's machinations, has lost everything - The sea is gone, but hope remains that it will return. And with it returns hope to find love for the neighbor .

This picture of Alisher Khamdamov is constructed as a legend of Bakhshi, who pulls his endless song about the brave defender of all the disadvantaged Namaz, thereby brightening up the halt of Russian officers who are serving a dull service in the Turkestan region.

Old Husan Ata has been waiting for a meeting with his son all through the war, hoping and believing that he is alive. He hasn't received any letters for a year now. Every day, an old man goes to the railway station, where trains arrive from the front, hoping to learn something about his Mansur. One day, a funeral arrives, but the postman Gulyam does not dare to convey this sad news to a friend. The young man Haidarali, who helped Husan Ata in the search, finally seeks to be sent to the front. And then the old man starts receiving letters. The war is over, and the letters are still coming. In them, the son informs that he got married and had a child. A father goes to visit his son in distant Riga. Here he is met by Haidarali and his son Mansur, who has been sending letters all this time to support the old man.