During the turbulent times of war, a young woman's journey leads her to discover the true meaning of freedom and the power of the human spirit.

Bicharak is a powerful film that explores the complexities of fate, judgment, and redemption. Through the lives of a tragic woman and a morally conflicted judge, the film delves into the depths of human nature and the consequences of societal prejudice.

The simple-minded Rajat (Barua) loves neighbour Jayanti (Menaka Devi). He is advised on how to court her by his streetsmart cousin Bishwanath (Sanyal) and Bishwanath's friend Samir (Bannerjee). Bishwanath and Samir try to get Rajat's miserly guardian Bagalcharan (Choudhury) to loan them money so that Samir can make a 'European-style art film'. The guardian is admitted to the clinic of a doctor Gajanan where he falls into the clutches of two professional crooks Natoraj (Indu Mukherjee) and Supta (Molina Devi). Supta wants Rajat and they try to kidnap her...

Suren, prevented by his family from pursuing a university career, leaves home and becomes a tutor to Pramila. He falls in love with her widowed elder sister Madhavi who, although returning his love, has him sacked to save the situation.

A famous radio singer Mohan (Saigal) is in love with Geeta (Leela Desai). When he goes to his friend a doctor, TB Specialist, Bijoy (Bhanu) for a check-up, he is found to be in an advance stage of TB. Meanwhile Leela's dominant mother and aunt (Nibhanani and Manorama) had been against the poor Mohan and had set their eyes on same Dr. Bijoy, the son of a family friend. When Mohan comes to know of it, and also his sickness, he decides to walk away from them. He is intercepted by a doctor who ran a sanatorium for TB patients, with some new method of treatment. Geeta couldn't forget Mohan and waited, but in the end she had to relent. Then it was known that Mohan was alive and cured. What would now Bijoy and Geeta do? There wedding was the next day, and they have to go ahead with it, the honour of both the families were at stake. Mohan too aware of his being exposed, disappears from the sanatorium and is untraceable.

Melodrama about lineage and property questions. Nikhilesh (Barua) loves heiress Indira (Jamuna). A poor orphan girl, Radha (Menaka Devi), arrives claiming to be Indira's stepsister and therefore part inheritor of the family estate. Indira agrees to share her inheritance but then Radha makes a play for Nikhilesh. Ultimately, Radha turns out to be the real and sole heir. Love proves to be stronger than material possession as Indira and Nikhilesh get married and Radha finds happiness with Ratan, a man she had known and loved during her days of poverty. As each character returns to the class of his/her birth, the message hammered home is a warning to people never to transcend their social status.

Dikshul is a 1943 Bengali film produced by New Theatres Ltd. Directed by Premankur Atorthy, the film featured music by Pankaj Mullick and cinematography by Rabi Dhar. Notably, the film's lyrics were penned by the renowned poet Kazi Nazrul Islam, and it marked the playback singing debut of actress Binota Roy.

A wife rejected by her in-laws following her abduction is given shelter by the husband's friend. The storyline follows the wife's ambivalent feelings for her savior when she's accepted back into the family.

Sri Beniprasad, owner of "Model Drugs," discovers his workers’ grievances when he finds a bulletin circulated by them. Though his son Dilip is involved with the company, he advises his father to investigate independently. Taking on a disguise as a common laborer, Beni Prasad learns that his executives are dishonest and oppressive, even mistreating him. He is welcomed by Rammoy, a worker, and his family, where Jayanta, an enigmatic leader of the labor movement, regularly appears. During a secret meeting, Jayanta realizes Beni Prasad is undercover and orders his glasses broken, rendering him unable to see. Both Beni Prasad and Rammoy's daughter Reba question Jayanta’s true identity, which is revealed in a twist at the film's end.

P. C. Barua's directorial debut film.

Sisir Kumar Bhaduri's Palli Samaj. A 1932 Bengali Talkie Film directed by Sisir Kumar Bhaduri.