Hoping to become a great singer in Germany, a young dreamer named Ernst Schrämli finds himself drawn into underhand dealings. Determined to escape a suffocating environment that annihilates any kind of creative or artistic impetus, Ernst sells information about the Swiss army to a Nazi spy by the name of August Schmid, who charms and manipulates him. When Ernst’s crime is uncovered, he is sentenced to death for espionage and treason, becoming the first Swiss citizen to be executed.

Chronicles the fate of Frieda Keller, a young seamstress in St. Gallen who, in 1904, is accused of murdering her 5-year-old son Ernstli.

Lenz is a daydreamer. Charming, visionary and – as it is good manners for a thirty-year-old in Berlin – radically incapable of decision making. After an intense party night, Lenz wakes up next to Ira, completely deranged. Lenz is in love. As well as Ira. The summer of love begins: fooling through the nights of Berlin, beers at the canal, talks about sex and childhood. Everything is beautiful. Up until the moment when Ira asks this one question that changes everything: „Do you want to have kids?“ Now is the time for Lenz to do what he knows best, when things get tricky. He runs off. Anchorless, he stumbles through the summer and has to take up with the heroes of his daydreams, who keep examining him about his feelings. Meanwhile, his friend Kenn covers Lenz with affectionate incomprehension. When autumn arrives, Ira eventually confronts Lenz and he has to face the big “whatsoever”.

Periphery is a drama anthology set in Zurich, exploring the lives of several characters and their struggles. The film delves deep into the human condition and showcases the complexities of relationships and emotions. It portrays the various peripheries people find themselves in, both physically and emotionally. With its captivating storytelling and compelling performances, Periphery is a must-watch for anyone who appreciates thought-provoking cinema.

Christina is in her mid-twenties and in a sensual and playful relationship with her boyfriend Joel. Though it irritates her when Joel takes erotic photos of her during sex, she gladly submits to it, for him. After all, they’re not teenagers anymore. Christina eventually starts to question her trust in Joel when she sees him tipsily showing a photo on his phone to their mutual friend Tanner. Christina’s doubts alone suffice to put the couple’s relationship to the test.