After a morgue worker realizes his ability to communicate with the dead, he becomes involved in a perilous journey filled with darkness and danger.

Mônica is an actress in a crisis triggered by the overexposure of her life as a celebrity. Young Kelly is not aware of that when she unsuccessfully tries to speak to Mônica as she is leaving a film shooting, in Brazil's countryside. Kelly will not give up and decides to try to meet her muse again.

In a near-future society, genetic modification has become the norm. A young woman discovers the shocking truth about her own identity and embarks on a journey of self-discovery and rebellion.

In Porto Alegre, the unemployed Ciro has a dull life in a simple apartment with a nameless stray dog that he had found on the streets. Ciro is supported by his parents and works every now and then in translation of Russian. When he meets the aspirant actress Marcela, who dreams on traveling to other places, they immediately fall in love for each other. However, Marcela has a lymphoma and travels for a treatment, and alone Marcelo becomes depressed and returns to his parents home.

Late summer of 2007, South of Brazil. Joana, 13, wants to find out why her great-aunt Rosa died at 70 without ever having dated anyone. Encouraged by her friend Carolina, Joana starts an investigation about Rosa’s past. As she confronts the values of her community, Joana realizes that all the women in her family have a secret, while something hidden inside her also reveals. She plunges into her imagination to find answers while a large wind power plant is being built in their small town.

In a dystopian world plagued by a fundamentalist revolution, two women on the run unexpectedly come across a house that serves as a sanctuary. This house is not an ordinary one; it is filled with the remnants of a renowned filmmaker's memories. As the women navigate through the chaos outside, they delve into the filmmaker's past, unearthing hidden truths and discovering the power of memory. 'Inventário de Imagens Perdidas' explores the intersection of house, women, dystopia, experimental filmmaking, and the essence of memory.

Brazil, 1961. In the underground of the Piratini Palace, the governor of Rio Grande do Sul, Leonel Brizola, awaits a bombing by the Brazilian armed forces. The country is on the verge of a civil war, following the resignation of president Jânio Quadros and the movement to keep vice-president João Goulart from taking office. Using the radio transmitter from his improvised bunker, Brizola sets up the Legality movement, to ensure Goulart's right to the presidential chair. Caught in the crossfire, two brothers who are in love with the same woman unite to fight alongside Brizola.

The film tells the story of sixteen people in the hottest day of the year in the city of Porto Alegre.

In Rio Grande do Sul, the newcomer intern Paula sees the schizophrenic Dante Becker and she decides to study his case for her graduation work in the university. She learns that Dante was left in the institution ten years ago and has been abandoned by his family, friends and even the doctors and his files are lost. Her supervisor retrieves the name of Dante's father Gregório and the women Renê Heller and Berenice that had visited him in the past and she interviews them to discover what happened with Dante.

Ricardo is 10 years old, lives in the interior of Rio Grande do Sul and has nightmares about Velho do Saco, sort of a Brazilian bogeyman, “who takes out the eyes of misbehaving children”. It is not easy to distinguish truths and lies when the loss of innocence is confused with the loss of sight.

After inheriting an old abandoned house, a family moves in and begins to experience strange occurrences. As they uncover secrets about the house's previous occupants, their lives take a sinister turn.