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Four episodes chronicle a mysterious phantom who appears in the Musée du Louvre in Paris at night. Neither guards nor police are able to make an arrest. But a curious young man tries to break the ice and discover what drives the creature and its activities.
Touchez Pas au Grisbi is a French film noir crime drama about a veteran gangster, Max, and his partner, Riton, who find themselves embroiled in a series of dangerous events after successfully robbing a gold shipment.
In the movie 'Risky Business', a small-town high school teacher finds herself caught up in a web of gossip and lies when she spreads a false rumor about a fellow teacher's sexuality. As the rumors spiral out of control, the teacher must confront the consequences of her actions and the impact they have on the individuals involved. Themes of defamation, sexual abuse, and the power of small-town gossip are explored in this dramatic film.
Two hitch-hikers are on the way to Marseilles pursued by her husband.
A poor wretch, who has just been hired as a music-hall artist, in spite of himself becomes the tenant of a particular Parisian building.
Documents relevant to National Defence have been concealed in a certain vase by a dangerous gang of robbers. To neutralize the criminals, a seasoned police commissioner and his clumsy assistant, young inspector César, join forces with a colorful trio of thieves nicknamed Le Pouce (Thumb), L'Index (Index Finger) and Le Majeur (Middle Finger)...
An officer, two of his comrades and a social worker want to create the "Carrefour", a place for lost children and teens to give them a chance not to fall by the wayside and spend most of their life in jail.
It's a sailors' story; they often sail away and when they return, the first thing they do is searching girls in the harbor. One of them -Jean- is shy and he does not know how to go with women. One day, he meets Yvonne and falls in love with her. But, alas, she prefers his good friend René. Another suitor, Pierre, owns the "À la Belle frégate" a café where Yvonne works as a waitress. Madam(e )Juliette, pretends she helps Yvonne and tries to make her an "entraineuse"(hostess) for less-than -handsome guests. But the girl knows better and will choose one of her suitors.
Pierre Chambrac, a French industrialist, and Canadian Paul Laforêt, two former brothers in arms, meet again by chance in Paris five years after the end of World War II. Pierre is engaged to a beautiful foreign young lady by the name of Helen Bering. He introduces her to his friend, which seems to trouble him. To his amazement, Helen and Paul disappear without notice. Pierre, who was beginning to feel jealous, sees his suspicion confirmed. He decides to fly to Montreal where he thinks the couple has taken refuge. Once there, he learns that his dear Helen is actually a criminal and that Paul is a policeman whose duty was to arrest her.
Antonin is a young French soldier who returns home from World War I to recover from his wounds. When he falls in love with a young widow, Antonin questions his role in battle and contemplates desertion as he recalls the horrors of war. He is pressured by his patriotic father to honor his military commitment even if it means he will die.
Jean-Pierre, who has escaped from prison, tries to reintegrate into society with the help of workers at a construction site.
A discharged seaman winds up on an old man's farm: his children left the place for the broader horizons of the evil city; the walls are near decay ,the fields lie fallow.
Convicted of murdering his wife, a crime of which he declares himself innocent, Jacques Mazur is serving a long sentence in a prison where his presence causes disruption.
In a small provincial town, the boarding-house is run by Mathilde Belin, the overindulging and over-demanding mother of Paul. When she is told by her envious sister Charlotte that her son is having a secret affair with Catherine, a salesgirl, she becomes furious and starts doing everything in her power to separate the lovebirds.
The daughter of a foreign diplomat in Paris is courted by two men. One of them entrusts her with a harmless commission for Poland, as she has a diplomatic passport. But it's a trap, and the girl is forced to work for Eastern spies.
Following a heartbreak, Aimée, a young girl is taken in by the owners of a café for whom she starts working, and falls in love with René, a sailor who gave her a taste for life.
René Dary
René Dary (19 July 1905 – 6 October 1974) was a French film actor. Dary began his career as a child actor. Young Clément Mary, as was his original name, was born 18 July 1905 in Paris 6th arrondissement. He got his chance in the Spring of 1910 when he was only five. His father Abélard Mary had put in his head to go and promote himself and his two young kids as extras at the Gaumont studio. Mary, who had been an actor, had become a rundown clown in bars because of his gambling and kept things going with some furniture trade. He had set his hopes for his kids, and gambled well this time, as they were all hired for a peplum, Les Derniers Jours de Babylone. Young Clément's native playfulness, his histrionic acting making him older than he was, his borrowed street talk, and his ease on the set to charm everyone, from actors to technicians, soon began to attract the attention of producer-director Louis Feuillade. Feuillade tested him and designed a whole series around him, the Bébé series. All in all Mary would play in 74 Bébé comedies between 1910 and 1912, according to Braquet (76 between December 1910 and February 1913, according to Lacassin, while IMDb lists 73 titles), such as Bébé apache, Napoléon, Bébé et les cosaques, Bébé en Maroc etc. Feuillade permitted little Mary to do anything forbidden at home. Often his character would be a spoiled brat, have impossible tantrums and pester all adults around him, but he could also help children and old people in distress, showing his good heart after all. Often his mother would be played by Renée Carl, a leading Gaumont actress in her own. And often the child was placed in adult situations, as millionaire, marriage candidate or underworld 'apache'. For over two years Bébé was the best known child actor worldwide. The extremely good box office made papa Mary wealthy too, but his money hunger caused also the downfall of his son. Abélard bought a small cinema in Ménilmontant and called it Bébé-Cinéma, counting on a franchise by Gaumont to show his son's films. This was the limit for Feuillade, who was already fed up with the pretense of the father's self-promotion as his son's manager and his continuous demands for raises for his son. Besides, Clément was reaching an age where his cuteness as child actor was passing. Already mid-1912 another young kid had been picked up in Belleville, near the studios, and had started as supporting actor to Clément in the film Bébé adopte un petit frère, but replaced him completely in March 1913 (February 1913, according to Francis Lacassin) under the character name of Bout-de-Zan (a name he already wore as Bébé's co-actor). Abélard went to court against Gaumont. The court ruled that the breach of contract was just, but also that Mary was allowed to continue acting as Bébé at Pathé's subsidiary Eclectic Films, and he did so until 1916. Yet, it was no competition for Gaumont's Bout-de-Zan. As Abel mentions, Bout-de-Zan was more plebeian while Bébé was 'au fond' bourgeois as type. Still, in the end Poyen did some 50 films for Gaumont, less than Mary.
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